A Quote by BØRNS
I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes. We could say things and people will catch them. That couldn't happen at a festival because nobody would catch it. I also like that in a smaller space people can be talking to each other and listening to the music; they don't have to be watching you the whole time.
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I really like intimate venues because it feels like everyone in the audience is in on all our inside jokes.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
I feel like when you're videoing someone and you catch Tiger at a bad time, you show him accidentally doing something, or someone else, they're just frustrated because they really care about the game. It could really hurt them if they catch you at a potentially vulnerable time.
We who go a-fishing are a peculiar people. Like other men and women in many respects, we are like one another, and like no others, in other respects. We understand each other's thoughts by an intuition of which we know nothing. We cast our flies on many waters, where memories and fancies and facts rise, and we take them and show them to each other, and small or large, we are content with our catch.
Watching people is a good hobby, but you have to be careful about it. You can’t let people catch you staring at them. If people catch you, they treat you like a first-class criminal. And maybe they’re right to do that. Maybe it should be a crime to try to see things about people they don’t want you to see.
This is something I haven't told many people, because it's embarrassing. We always used to catch flies with our hands. I was the only one who could catch 'em. One-handed, two-handed. I actually studied flies. I'd watch 'em. How do you catch flies? They fly up. If I can catch that, I can catch anything.
Even if someone doesn't look like you or you don't know people like this in your real life, you get to know them and you get to see their humanity and you get to empathize with them. Our hope is that through empathy that can spark change. We hope people start talking to each other and our show sparks conversation because we need to start talking to each other, not at each other.
I'm most proud of my career as a touring comedian and musician. I love doing television, I love selling records, but when I'm at these venues with hundreds of people, and they're all sitting listening to my music and my jokes, I feel like I could die that day, and I would be happy.
Reading is like thinking, like praying, like talking to a friend, like expressing your ideas, like listening to other people's ideas, like listening to music, like looking at the view, like taking a walk on the beach.
I recall a conversation I was having with Pharrell one time. We were in the studio talking about R&B, and he said 'You're like me, we're like each other, we think the same way.' He's one of the few people I would consider a mentor, not because I look up to him but because he's actually given me sound advice and it came from a place inside of him.
Even when we say nothing our clothes are talking noisily to everyone who sees us, telling them who we are, where we come from, what we like to do in bed and a dozen other intimate things.
I like people, and I like listening to them because something that'll happen out of that conversation could be the title or the subject of the song.
It would be inadmissible if I would vent my opinion publicly. Not only could I harm the artist concerned seriously because people have so much respect for me and believe in me because of my musical accomplishments. And I could also antagonize people against me, because everyone has his own taste. We all make music, people can choose from that what they like. Every musician likes his own music the best, man. I don't want to attack that. I don't mind criticism, I can handle it, but most people can't".
I think that it feels really good to be recognized in a sense of being nominated for Grammys and things like that, but part of it is, we spent a lot of time on our own making music: seven or eight years and nobody really paid attention. It feels good. We also learned to not pay too much attention to things like that, and I think it made us stronger.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
You look at teams in college, the MMA world, and beyond that allow bullying, where guys get jealous during training and stuff like that. You need to have a space where everyone feels like they have an equal opportunity - like they have support, people watching out for them.
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