A Quote by C. A. Bartol

Beauty is no local deity, like the Greek and Roman gods, but omnipresent. — © C. A. Bartol
Beauty is no local deity, like the Greek and Roman gods, but omnipresent.
As an undergraduate, I studied the Greek and Roman classics, and I went to graduate school in classics intending to work on the presentation of moral issues in various Greek and Roman tragedies.
To a degree, the Greek and Roman mythological heroes are just the first superheroes. They appeal to children for much the same reason. These gods and heroes may have powers, but they get angry and they do the wrong thing. They are human too.
The truth wears longer than all the gods; for it is only in the truth's service, and for love of it, that people have overthrown the gods and at last God himself. "The truth" outlasts the downfall of the world of gods, for it is the immortal soul of this transitory world of gods; it is Deity itself.
The thing about playing gods, whether you're playing Thor and Loki or Greco Roman gods or Indian gods or characters in any mythology, the reason that gods were invented was because they were basically larger versions of ourselves.
The Roman Empire was fairly tolerant of religious choice as long as you made a point not of thumbing your nose in public at the Roman gods.
All the superhero stuff is Greek myths and Greek gods, wearing tights and capes. That's what they are. That's what I gravitate towards.
Wonderful, Annabeth thought. Her own mother, the most levelheaded Olympian, was reduced to a raving, vicious scatterbrain in a subway station. And, of all the gods who might help them, the only ones not affected by the Greek-Roman schism seemed to be Aphrodite, Nemesis and Dionysus. Love, revenge, wine. Very helpful.
For a long time on Earth humans didn't worship good gods; that's a new idea. The ancient Greek gods, the Hindu gods, are fairly amoral, most of them. We get stuck when we insist that God be both good and all-powerful.
For example, I like using strong Greek and Roman Renaissance characters as part of my series.
The Indian gods are imposing, the Greek gods are not. Indeed they are not brave, not self-controlled, they have no manners, they are not gentlemen and ladies.
There are many gods . . . gods of beauty and magic, gods of the garden, gods in our own backyards, but we go off to foreign countries to find new ones, we reach to the stars to find new ones--. . . . The god of the church is a jealous god; he cannot live in peace with other gods.
Artists, like the Greek gods, are only revealed to one another.
If, like me, you're interested in history, Egypt is a place of wonders. It's the land of many civilisations, including Greek, Roman, Christian, and Muslim.
All my stories are like the Greek and Roman myths, and the Egyptian myths, and the Old and New Testament.
I think Eros should be dirty. In Greek legend, as I'm sure you are aware, he fell in love with the minor deity Psyche. It was the Greek way of saying that, in spite of what it may believe, Love pursues the Soul, not the body; the Erotic desires the Psychic. If Love was clean and wholesome he wouldn't lust after Psyche.
In the years of the Roman Republic, before the Christian era, Roman education was meant to produce those character traits that would make the ideal family man. Children were taught primarily to be good to their families. To revere gods, one's parents, and the laws of the state were the primary lessons for Roman boys. Cicero described the goal of their child rearing as "self- control, combined with dutiful affection to parents, and kindliness to kindred.
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