A Quote by C. C. H. Pounder

The thing about being black and having a different accent, in the beginning, is that it makes you foreign. — © C. C. H. Pounder
The thing about being black and having a different accent, in the beginning, is that it makes you foreign.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
When you say, 'Southern,' or you speak about a southern accent, there's always that drawl, and usually from white people. That's what people associate with the South. But we're all different. The black southern accent is different.
I did use my own accent in a play once. It's a very freeing, liberating experience. Actors are often asked to adopt a different accent, and sometimes a different voice, so when that's taken away and you don't have to think about it, that's a lovely thing.
Having a white parent undoubtedly makes for a different childhood experience than having two black parents.
Well, the most important thing a president will be is commander-in-chief. And that requires having an understanding of the complex issues on foreign policy. Foreign policy presents us often with hard choices, not black or white choices.
The important thing about travel in foreign lands is that it breaks the speech habits and makes you blab less, and breaks the habitual space-feeling because of different village plans and different landscapes. It is less important that there are different mores, for you counteract these with your own reaction-formations.
As a black woman trying different products and figuring out what works best for me, the one thing that I realized is that hair brands lump us together as having 'black hair,' but all black hair is not alike.
I used to play a lot of foreign women in my youth because I was prettier then. I would go for interviews, and directors would look at these sultry, exotic looks, hear this clipped accent and think the two don't go together. So they would give me a foreign accent.
For a black person who's Senegalese, growing up in France, or a New York Jamaican, that's a completely different relationship with being black and how you might be accepted in that culture or that world. Everyone's experience is different. Especially black women and black men.
Everybody loves an accent. It you've been unlucky in love, consider pulling up stakes and moving to another country. Then you'll be the one with a neat foreign accent.
I think the hardest thing about doing an accent, especially with a Missouri accent, is making sure that you're not mumbling with the words so your diction is clear.
I've never bothered about my color. I never had that thing about being black. If the whole world was like that, maybe there would be more harmony and love. Maybe. I don't have a problem with being black in a white country or being with my people.
In the South we experienced, you know, some black kids who gave us a hard time because - cause 'you talk white.' We didn't talk white. We talked fairly proper. Plus, we had a Midwestern accent, so we didn't have a Southern accent, either. So it wasn't really talking white; it was talking different.
Not having a passport makes me very blasé about what appears in foreign periodicals since I know I'll never see it.
I don't look to a man to get pride in myself. It's not about having a black president, it's about having a good president, and I think that's the most important thing.
If you speak in a different accent, you begin to move in a slightly different way. You think in a slightly different way. It's part of trying to find what makes a character.
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