A Quote by C. S. Lewis

I came alive when I started loving you. — © C. S. Lewis
I came alive when I started loving you.
I felt him there with me. The real David. My David. David, you are still here. Alive. Alive in me.Alive in the galaxy.Alive in the stars.Alive in the sky.Alive in the sea.Alive in the palm trees.Alive in feathers.Alive in birds.Alive in the mountains.Alive in the coyotes.Alive in books.Alive in sound.Alive in mom.Alive in dad.Alive in Bobby.Alive in me.Alive in soil.Alive in branches.Alive in fossils.Alive in tongues.Alive in eyes.Alive in cries.Alive in bodies.Alive in past, present and future. Alive forever.
I think I came alive when I started photography.
There's a pleasure to loving someone even when you know there's no chance in them loving you back. The pain I felt let me know I was still alive.
I started writing poetry when I was 12 years old and also undertook vocal training since a young age. However, it was only during my time at the University of Oxford did the musician in me came alive.
After the war, photography came alive, in part because everybody started to use the 35mm camera, and worked on the street instead of in a studio, and that made an enormous difference in not only how photographs looked, but what they were about.
I came to know God when I was 12, started working in the ministry when I was 13, working in the slum area, living among the poor, loving it, and having this belief that to love the poor I needed to be poor.
We've lost the sense of our own divinity. We think that we're separate from God, but we can't be. We must be like what we came from, and we came from an infinite, loving, kind, beautiful Source. We've forgotten that.
I am that clumsy human, always loving, loving, loving. And loving. And never leaving.
An awful lot of successful technology companies ended up being in a slightly different market than they started out in. Microsoft started with programming tools, but came out with an operating system. Oracle started doing contracts for the CIA. AOL started out as an online video gaming network.
I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.
I've got to sing for Pops; I've got to keep my father's legacy alive because he started all of this. So I started calling people, and nobody would give me a chance, but I didn't let that stop me. I took money out the bank and I started making me a record, and I did it in this guy's basement.
There's some that came here never believing they were dead. They insisted all the way that they were alive, it was a mistake, someone would have to pay; made no difference. There's others who longed to be dead when they were alive, poor souls; lives full of pain or misery; killed themselves for a chance of a blessed rest, and found that nothing had changed except for the worse, and this time there was no escape; you can't make yourself alive again.
I was lucky with my parents, for my mom and my dad particularly, much more than my mom, who was very compassionate and loving to everyone. And then, as I got into my career, I started and other people started to realize that I was good at it.
You express your own divinity by being alive and by loving yourself and others.
As with most of my work, I started from the abstract, from research, building an intellectual model that slowly became internalized when the characters came alive. It's fascinating what happens to the model you've so assiduously assembled when characters are allowed to run rampant: things you thought essential are broken and other things are vastly improved.
Music came first and I started to jam with people I couldn't communicate in their language. Then, because I could make friends thanks to music, they started to talk to me. Then I started to learn English.
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