A Quote by C. S. Lewis

For in self-giving, if anywhere, we touch a rhythm not only of all creation but of all being. — © C. S. Lewis
For in self-giving, if anywhere, we touch a rhythm not only of all creation but of all being.
This is the secret of life: the self lives only by dying, finds its identity (and its happiness) only by self-forgetfulness, self-giving, self-sacrifice, and agape love.
I write because in the act of creation there comes that mysterious, abundant sense of being both parent and child; I am giving birth to an Other and simultaneously being reborn as a child in the playground of creation.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
When you touch - don't take. Touch people only when you are giving something - reassurance, support, encouragement, whatever
I respect self-giving and I've tried to lead my life with that as the ideal. But real self-giving is when we take our being, that which is most precious to us, and we throw it into eternity with a total sense of offering.
Sense (for a particular art, science, human being, and so forth) is divided spirit; self-restraint is consequently the result of self-creation and self-destruction.
When you birth a child, it's like a bloody giving of self to the creation of a life.
Let each person in relationship worry about Self-what Self is being, doing, and having; what Self is wanting, asking, giving; what Self is seeking, creating, experiencing, and all relationships would magnificently serve their purpose-and their participants!
Att our MIT lab, there are people from diverse backgrounds like architecture, psychology, and philosophy, giving a holistic touch to the creation of any technology we may have in mind.
At first, I am giving energy to the creation, but later the creation seems to be giving energy to me.
Remember: life is a rhythm between day and night, summer and winter. It is a continuous rhythm. Never stop anywhere! Be moving! And the bigger the swing, the deeper your experience will be.
Music is the basis of the whole creation. In reality the whole of creation is music, and what we call music is simply a miniature of the original music, which is creation itself, expressed in tone and rhythm.
The naive is what is or appears to be natural, individual, or classical to the point of irony or to the point of continuous alternation of self-creation and self-destruction. If it is only instinct, then it is childlike, childish, or silly; if it is only intention, it becomes affectation.
Being onstage is just a feeling that you cannot duplicate anywhere else because the energy that the audience is giving you forces you to give more energy. It's such an output and exchange of energy. You can't do that anywhere else.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
Here's a tip. If you touch a girl, even as joke, and she pushes you off, leave... her... alone. Don't touch her. Anywhere! Just stop. Your touch does nothing but sicken her.
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