A Quote by C. S. Lewis
The world does not need more Christian literature. What it needs is more Christians writing good literature.
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It has seemed to me that literature, as I meant it, was embattled, that it was increasingly difficult to find writing doing what I thought literature should do - which was simply to push people into changing their ideas about the world, and to go further, to encourage us in the work of changing the world, to making it more just and more truly human.
Christ and the life of Christ is at this moment inspiring the literature of the world as never before, and raising it up a witness against waste and want and war. It may confess Him, as in Tolstoi's work it does, or it may deny Him, but it cannot exclude Him; and in the degree that it ignores His spirit, modern literature is artistically inferior. In other words, all good literature is now Christmas literature.
Literature cannot develop between the categories "permitted"—"not permitted"—"this you can and that you can't." Literature that is not the air of its contemporary society, that dares not warn in time against threatening moral and social dangers, such literature does not deserve the name of literature; it is only a facade. Such literature loses the confidence of its own people, and its published works are used as waste paper instead of being read. -Letter to the Fourth National Congress of Soviet Writers
Literature is one of the few kinds of writing in the world that does not tell you what to buy, want, see, be, or believe. It's more like conversation, raising new questions and inspiring you to answer them for yourself.
Literature is a far more ancient and viable thing than any social formation or state. And just as the state interferes in literature, literature has the right to interfere in the affairs of state.
Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
Given the devaluation of literature and of the study of foreign languages per se in the United States, as well as the preponderance of theory over text in graduate literature studies, creative writing programs keep literature courses populated.
What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
I moved here when I was 20 to go to college. After I moved here, I became much more aware of the importance of the culture and literature to my life. Sometimes when you're immersed in something, you just don't notice it very much. Moving away makes you appreciate your culture. Living here, I've thought more and more about India, and what being Indian-American means to me. And it's made me incorporate things from Indian literature into my own writing.
We need literature because we wouldn’t fully know ourselves without it. We need good literature to be fully human.
A Christian philosophy of literature begins with the same agenda of issues that any philosophy of literature addresses. Its distinctive feature is that it relates these issues to the Christian faith.
National literature does not mean much these days; now is the age of world literature, and every one must contribute to hasten thearrival of that age.
Literature overtakes history, for literature gives you more than one life. It expands experience and opens new opportunities to readers.
The director [Elfar Adalsteins] came to me through my agent and I had a read of the script [of the "Sailcloth]. I thought immediately this is someone who is writing for the cinema. Not having to go through the tedious business of taking something from literature and making that awful leap that is so difficult to make anyway, from literature to cinema. It's refreshing to be able to deal with a subject like that, to be written where the driving force is the image on screen and you don't need any words. The more that we can do that [in film], the better.
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