A Quote by C. S. Lewis

Hitherto the plans of the educationalists have achieved very little of what they attempted, and indeed we may well thank the beneficent obstinacy of real mothers, real nurses, and (above all) real children for preserving the human race in such sanity as it still possesses.
I think that we see war as a virtual thing and we even get to believe that bombs fall on top of cardboard cutouts and stuff like that. They don't. They kill real people, real children, real mothers and millions of innocent people.
Anything, everything, can be learned if you can just get yourself in a little patch of real ground, real nature, real wood, real anything ? and just sit still and watch.
One might suppose that reality must be held to at all costs. However, though that may be the moral thing to do, it is not necessarily the most useful thing to do. The Greeks themselves chose the ideal over the real in their geometry and demonstrated very well that far more could be achieved by consideration of abstract line and form than by a study of the real lines and forms of the world; the greater understanding achieved through abstraction could be applied most usefully to the very reality that was ignored in the process of gaining knowledge.
Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's cart, and say, "Great. Maybe you can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed.
May we not suspect that the vague but very real fears of children, which are quite independent of experience, are the inherited effects of real dangers and abject superstitions during ancient savage times?
My job is to portray real human beings and real human experiences, and if I haven't had a real human experience myself outside of the film industry, how am I going to be able to do that?
If you put a real leaf and a silk leaf side by side, you'll see something of the difference between Homer's poetry and anyone else's. There seem to be real leaves still alive in the 'Iliad,' real animals, real people, real light attending everything.
If you put a real leaf and a silk leaf side by side, youll see something of the difference between Homers poetry and anyone elses. There seem to be real leaves still alive in the Iliad, real animals, real people, real light attending everything.
I don't know, I'm still a little bit like, when you blend CGI well with real life, it's impressive, but if you remove real life completely, I still get pulled out of the movie a bit.
I think some people feel that if you question the reality of race, you're questioning racism; you're saying racism isn't real. Racism is real because people actually believe race is real. We'd have to really let go of the 500-year-old idea of race as a worldview in order to undo racism.
'Hamlet' is one of the most dangerous things ever set down on paper. All the big, unknowable questions like what it is to be a human being; the difference between sanity and insanity; the meaning of life and death; what's real and not real. All these subjects can literally drive you mad.
We may therefore acquiesce in the pleasing conclusion, that every age of the world has increased, and still increases, the real wealth, the happiness, the knowledge, and perhaps the virtue, of the human race.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
I think that unlearning race for black people is more along the lines of seriously saying blackness isn't real, race isn't real.
Play is always a fantasy, but once you get into the frame, it is quite real, and everything you do is real. You put acres and acres of real movement and real action and real belief in it.
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