A Quote by C. S. Lewis

Only He who really lived a human life (and I presume that only one did) can fully taste the horror of death. — © C. S. Lewis
Only He who really lived a human life (and I presume that only one did) can fully taste the horror of death.
Horror grows impatient, rhetorically, with the Stoic fatalism of Ecclesiastes. That we are all going to die, that death mocks and cancels every one of our acts and attainments and every moment of our life histories, this knowledge is to storytelling what rust is to oxidation; the writer of horror holds with those who favor fire. The horror writer is not content to report on death as the universal system of human weather; he or she chases tornadoes. Horror is Stoicism with a taste for spectacle.
No individual life is an end in itself. One can live fully only by participating fully in the succession of the generations, in death as well as in life. Some would say (and I am one of them) that we can live fully only by making ourselves answerable to the claims of eternity as to those of time.
Powder snow skiing is not fun. It is life, fully lived, life lived in a blaze of reality. What we experience in powder is the original human self, which lies deeply inside each of us, still undamaged in spite of what our present culture tries to do to us. Once experienced, this kind of living is recognized as the only way to live — fully aware of the earth and the sky and the gods and you, the mortal, playing among them.
Only those persons who have lived, really lived, are ready, welcoming, receptive, thankful to death. Then death is not the enemy. Then death becomes the fulfillment.
Comedy and tragedy are so mixed up in life, Gilbert. The only thing that haunts me is that tale of the two who lived together fifty years and hated each other all that time. I can't believe they really did. Somebody has said that 'hate is only love that has missed its way.' I feel sure that under the hatred they really loved each other . . . just as I really loved you all those years I thought I hated you . . . and I think death would show it to them. I'm glad I found out in life.
From this outer edge of his life, looking back, there was only one remorse, and that was only that he wished to go on living. Did all dying people feel this way, as if they had never lived? Did life seem that short, indeed, over and done before you took a breath? Did it seem this abrupt and impossible to everyone, or only to himself, here, now, with a few hours left to him for thought and deliberation?
For men and women alike, this journey is a the trajectory between birth and death, a human life lived. No one escapes the adventure. We only work with it differently.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
I learned that every mortal will taste death. But only some will taste life.
Why did death make life taste so much sweeter? Why could the heart love only what it could also lose?
Not very good with death? Father was a military man, and military men lived with death; lived for death; lived on death. To a professional soldier, oddly enough, death was life.
Life is really fascinated only by death. It vibrates only when it comes in contact with death.
Only when all conceptions of space and time, life and death, are exploded, when the grip of the past and fear of the future become merely conditions of one's past, only then can one live in the present fully.
Judges of elegance and taste consider themselves as benefactors to the human race, whilst they are really only the interrupters of their pleasure ... There is no taste which deserves the epithet good, unless it be the taste for such employments which, to the pleasure actually produced by them, conjoin some contingent or future utility: there is no taste which deserves to be characterized as bad, unless it be a taste for some occupation which has mischievous tendency.
We are fully human only while playing, and we play only when we are human in the truest sense of the word.
The vices of man, as full of horror as one might suppose them to be, contain the proof (if in nothing else but their infinitely expandable nature) of his taste for the infinite; only, it is a taste that often takes a wrong turn.
This site uses cookies to ensure you get the best experience. More info...
Got it!