A Quote by C. S. Lewis
Strictly speaking, there are no such things as good and bad impulses. Think...of a piano. It has not got two kinds of notes on it, the 'right' notes and the 'wrong' ones. Every single note is right at one time and wrong at another. The Moral Law is not any one instinct or set of instincts: it is something which makes a kind of tune (the tune we call goodness or right conduct) by directing the instincts.
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What I think after reading the script and seeing where the story goes, I go with my instincts on the character. If my instincts are wrong the director and the producers will guide me in the right direction. That's just kind of how I take on any role, be it a fantasy movie or not.
Gimme the tune. Do I like this tune? Does it sound like another tune that I like? The more familiar it is, the better I like it. Hear those three notes there? Those are the three notes I can sing along with. I like those notes very, very much. Give me a beat. Not a fancy one. Give me a GOOD BEAT -- something I can dance to. It has to go boom-bap, boom-boom-BAP. If it doesn't, I will hate it very, very much. Also, I want it right away -- and then, write me some more songs like that -- over and over and over again, because I'm really into music.
I'm a guy where my perfect pitch has been altered by the fact that I usually tune up to what's going on. When I was a kid, it was horrible! If two notes were playing right next to each other, and they were dissonant, it would drive me nuts. If it was something that sounded like it was in between notes, it'd make me cringe.
You must believe in your own instincts and your own instincts at any particular time and believe that they were the right ones for any given situation. So, there's no point ever of kind of regretting something because you can't properly remember the exact circumstances in which you were playing out this particular scene. You have to believe in your intuition and your instinct at that moment.
No disrespect to people that don't use music theory or don't know it. It does help to be able to figure out what key a song is in, even though with your scales you can figure it out so you can set your Auto-Tune right. So many songs with Auto-Tune are off or have the wrong note playing on the 808. And they pass it off as being hood.
There's nothing "wrong" with anything. "Wrong" is a relative term, indicating the opposite of that which you call "right." Yet, what is "right"? Can you be truly objective in these matters? Or are "right" and "wrong" simply descriptions overlaid on events and circumstances by you, out of your decision about them?
The Moral Law tells us the tune we have to play: our instincts are merely the keys.
The Senator from Wisconsin cannot frighten me by exclaiming, My country, right or wrong. In one sense I say so too. My country; and my country is the great American Republic. My country, right or wrong; if right, to be kept right; and if wrong, to be set right.
I played in the high school band. I was the one baritone saxophone out of 80 other people. No one could tell whether I was hittin' the right notes or the wrong notes.
I played in the high school band. I was the one baritone saxophone out of 80 other people. No one could tell whether I was hittin the right notes or the wrong notes.
Right and wrong as moral principles do not change. They are applicable and reliable determinants whether the situations with which we deal are simple or complicated. There is always a right and wrong to every question which requires our solution.
The intelligent have a right over the ignorant, namely, the right of instructing them. The right punishment of one out of tune, isto make him play in tune; the fine which the good, refusing to govern, ought to pay, is, to be governed by a worse man; that his guards shall not handle gold and silver, but shall be instructed that there is gold and silver in their souls, which will make men willing to give them every thing which they need.
I write letters to my right brain all the time. They're just little notes. And right brain, who likes to get little notes from me, will often come through within a day or two.
Notes are tricky in an audition, because I find, more often than not, my instinct is right. If they have a preconceived notion about the role and it goes against my instinct, unless it makes sense to me, it often throws off what I'm trying to do. Though sometimes they have an insight that I don't because they've been living with the script. I don't have one feeling or another about notes, but it is always a little bit of a red alert when I get one in an audition.
Even if I was a bad right wing guy, to the extent of whether my arguments are right or wrong, they're right or wrong independently if I'm right or left.
We feel that we have to be right so that we can feel good. We don’t want to be wrong because then we’ll feel bad. But we could be more compassionate toward all these parts of ourselves. The whole right and wrong business closes us down and makes our world smaller. Wanting situations and relationships to be solid, permanent, and graspable obscures the pith of the matter, which is that things are fundamentally groundless.
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