A Quote by Cab Calloway
The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job.
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Our ancient forebears who learned to synchronize the movements of dance were those with the capacity to predict what others around them were going to do and signal to others what they wanted to do next. These forms of communication may well have helped lead to the formation of larger human communities.
One of the ways the telegraph changed us as humans was it gave us a new sense of what time it is. It gave us an understanding of simultaneity. It gave us the ability to synchronize clocks from one place to another. It made it possible for the world to have standard time and time zones and then Daylight Savings Time and then after that jetlag. All of that is due to the telegraph because, before that, the time was whatever it was wherever you were.
My dad and uncle were so protective so whenever someone would say or do something to harm us they were right there. They were very shy but you cross a line with them and the temper can get quite rough.
When you are on the host's seat you have to synchronize with so many things.
My job, as an actor, is to give the director options. You can only hope that the takes that you thought were the best were chosen. But, then again, if I don't watch it, I'll never know.
Humans were still not only the cheapest robots around, but also, for many tasks, the only robots that could do the job. They were self-reproducing robots too. They showed up and worked generation after generation; give them 3000 calories a day and a few amenities, a little time off, and a strong jolt of fear, and you could work them at almost anything. Give them some ameliorative drugs and you had a working class, reified and coglike.
Nobody would take checks from Indians, nobody would give them any credit, and nobody would let them drink in the bars. There was a rudeness, a brusqueness, with which the Indians were treated constantly. At a very young age, that had entered my consciousness.
With WWE, I got this audition and thought there was no way that I was going to actually get the job. They were doing the WWE Diva Search at the time, and I didn't think I would get the job because I wasn't a wrestler.
In Yugoslavia we were told we were not only naive idealists in wanting war criminals to be prosecuted but that we were actually standing in the way of a ceasefire which would save more lives. The idea was that, by giving amnesty to these ruthless warmongers, you would give them an incentive to stop killing. I found that incredibly naive, never mind cynical. Having been on the ground and having met with these ruthless killers, I knew the only thing they understood was the language of force.
The early 2000s for me were a very emotional time, politically. I'd been through Reagan and been through first Bush and Clinton, and it's not like I had an easy time through those years. But I just thought it was particularly rough. I have to say the World Trade Center attack was very weird for me. The events that followed were worse. It was a really long swath of time.
The men in my life were wonderful, but they were very artistic and very creative and they were adventurers like myself. So it wasn't right to settle down with them.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
In wheelchair sports, people thought athletes with disabilities were courageous and inspirational. They never give them credit for simply being competitive.
With Mr. Bungle, I'd lay down a really rough demo of my vocals and then play them for the guys without telling them what I was saying. Our drummer at the time had the coolest takes on what he thought I was saying, so I'd ask him to write out what he thought the lyrics were.
At the time, there were very few foreign names in the press and they were all factory workers. I thought I'd never get a job at a university with a foreign name.
When we overthrew Mubarak, we did this in 18 days. And because we were very naive and very unexperienced in revolutions, we thought that that was it. It is very difficult to imagine that you can actually get rid of a dictatorship that has been there for 60 years only in 18 days. So we were very naive.
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