A Quote by Cai Guo-Qiang
I was growing up in a society that exerted a lot of control on people, and from both my personality and the social condition, I found gunpowder gradually as a very suitable medium for exploration.
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In both Russia and the U.S., there are a very small number of very, very rich people, and then there are a lot of people who don't have anything. The less inequality you have in a society, the more social peace you have. It's kind of a no-brainer.
We shall escape the absurdity of growing a whole chicken in order to eat the breast or wing, by growing these parts separately under a suitable medium.
One reason I chose gunpowder is that I had the good luck in my environment to be exposed to gunpowder. The other reason is I was always looking for a visual language that goes beyond the boundary of nations, and so I found gunpowder.
I come from a family that has been here for almost 200 years. My ancestors started a very dangerous gunpowder business in 1802, and my great- grandfather and his father were both killed in gunpowder explosions.
When I was young, the constraints of Chinese society and my personal timid and cautious nature both drove me to seek a means to go against control. Gunpowder has an inherent uncertainty and uncontrollability and is an important means for me to relieve myself of constraint.
I was very shy growing up. My shyness manifested as a big personality, as opposed to the wallflower personality. It's been a journey getting comfortable in my skin. I've worked on trying to find the authentic balance between the bravado of my personality that was sort of a defense and the truth within my bigness.
I think society is so hard on young women. Growing up, the images that I saw, the standards that I had to live up to in terms of how I looked and how I fit into my social groups - it was a lot of pressure.
During the Blair-Brown decade social concerns - what kind of society we have become - have gradually replaced economic worries. People fear that we have become an increasingly fragmented, boorish, more violent society.
I had a lot of difficulty growing up in a society where everything is very closed-minded, especially with beauty.
I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.
He had made a passionate study of education, only to come, gradually, to the knowledge that education is nothing but the process of building up, gradually, a complete unit of consciousness. And each unit of consciousness is the living unit of that great social, religious, philosophic idea towards which humankind, like an organism seeking its final form, is laboriously growing.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
You could make a good case that the history of social life is about the history of the technology of memory. That social order and control, structure of governance, social cohesion in states or organizations larger than face-to-face society depends on the nature of the technology of memory - both how it works and what it remembers. In short, what societies value is what they memorize, and how they memorize it, and who has access to its memorized form determines the structure of power that the society represents and acts from.
I was a lousy nun. I couldn't do it. I couldn't find God. It wasn't suitable for me. It is suitable for very few people.
Comedy and politics have a lot in common. Both are great ways to pick up chicks - just look at Governor Spitzer. Or Ellen Degeneres. Both require spending time on the road meeting strangers who often have the desire to throw things at you. Both are difficult, if not impossible, to do all alone. And both rely heavily on personality.
Printer's ink has been running a race against gunpowder these many, many years. Ink is handicapped, in a way, because you can blow up a man with gunpowder in half a second, while it may take twenty years to blow him up with a book. But the gunpowder destroys itself along with its victim, while a book can keep on exploding for centuries.
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