A Quote by Cai Guo-Qiang
Even though Chinese society was really closed, there were two windows for me to explore the world. One was from my mother and grandmother, the unseen and invisible world. Another window was brought from my father's side, those classic and Western books.
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I'm part Spanish. My paternal grandfather came from Spain via Singapore to Manila. On my mother's side it's more mixture, with a Filipino mother and a father who was Scotch Irish-French; you know, white American hybrid. And I also have on my father's side a great-great-grandmother who was Chinese. So, I'm a hybrid.
The inspiration to cook came from my grandmother and my father who were both wonderful home cooks. But I would say I taught myself. You travel, you discover the world, you explore books - it is these things that make a great cook.
My mother and my father were teachers. My grandmother and my grandfather were teachers. This is something I really know about. Even when I was a kid, it was a profession my father couldn't stay in, because he couldn't make enough money.
Even if all life on our planet is destroyed, there must be other life somewhere which we know nothing of. It is impossible that ours is the only world; there must be world after world
unseen by us, in some region or dimension that we simply do not perceive. Even though I can't prove that, even though it isn't logical - I believe it.
Even though China was a very closed country, they thought of themselves as the center of the world. It is an ethnic characteristic. After I went to Japan, I had a totally different view. The Japanese are always talking about what the Western world is doing. There is the anxious feeling of an outsider.
The world is wide; no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of the world; and the genuine productions of art, like those of nature, are all distinct from one another.
On the mission I brought a flag from China, I brought the stone sculpture from Hong Kong, and I brought a scroll from Taiwan. And what I wanted to do is, because as I was going up and I am this Chinese-American, I wanted to represent Chinese people from the major population centers around the world where there are a lot of Chinese people. And so, I wanted to bring something from each of those places and so it really wasn't a political thing and I hope people saw it that way. I was born here, I was raised in the U.S., and I'm an American first, but also very proud of my heritage.
My grandmother, my mother and my aunts and their friends were all of southern Chinese ancestry, and they were all strong figures. Though if you asked them who was the head of their families, they would have said their husbands; and yet it was the women who ran everything.
When my mother and my grandmother died three months apart, I knew my world was over. They were everything to me and my world was shattered.
My father, my uncles, my aunts, from my father's side and my mother's side... they were all professional musicians. My father was a concert master, he took me to a lot of rehearsals, concerts, performances, opera, ballet. For me, that was life.
In Quanzhou, I have a lot of influence from superstition. I would go to the temple with my grandmother and mother. That is why I have a lot of curiosity about the unseen force and invisible things.
Angelo Badalamenti brought me into the world of music and that's really what gave me permission to get into it even though I'm not a musician. It's just an intuitive thing for me.
I'm not really into comfort books. There are too many of those as it is. Just sort of narcotic books, like my grandmother used to read. They have value like Paxil has value, but there's plenty of them in the world already. There's a shortage of confronting, stimulating, exciting books.
All of them - my father, mother, step-mother, and grandmother - were all wonderful actors and performers and they are an inspiration to me, both in their craft and in their humanity.
I do think that taking these sort of natural mind-opening and altering drugs does have an effect. Doors and windows that you didn't even know were in the house are open and you're seeing views you've never noticed before. Even though, when you come down, the world sort of goes back to the way it was, an inkling of that transformed vision and experience of the world remains. I think it's a little bit medicinal, and over time it sort of builds up a new experience of the world. That's when I think smoking pot and doing drugs is really good for you, spiritually speaking.
Books have been thought of as windows to another world of imagination
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