A Quote by Cai Guo-Qiang
For my art, there is a common theme most of the time: it is using the things we can see to search for the world we cannot see.
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I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.
You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.
If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and these are related to skills in the real world.
I like to see things. I see a lot more art than I'd like to see. We have to be polite and see the art shows of people we know. We see a lot of art.
Sometimes good art jumps out at me; most of the time I see bad art, or see nothing at all and just drift, feeling weird, pretending to be fine.
After the first glass, you see things as you wish they were. After the second, you see things as they are not. Finally, you see things as they really are, and that is the most horrible thing in the world.
Most of the time, I see what I see, I search my feelings, and then I make my decisions based on my gut - and I don't always make the right ones.
I don't have a favorite place to see art. I like to encounter it anywhere, museum, gallery, home, studio, street... I do prefer to see good art, when I see art, but it doesn't matter where I see it.
Nature is indeed a specious ward, nay, there is a great deal in it if it is properly understood and applied, but I cannot bear to hear people using it to justify what common sense must disavow. Is not Nature modifed by art in many things? Was it not designed to be so? And is it not happy for human society that it is so? Would you like to see your husband let his beard grow, until he would be obliged to put the end of it in his pocket, because this beard is the gift of Nature?
No one ever gets to see Foley artists at work, and they're so strange. They see the world differently: things as things that might make sounds that sound like other things. They see the whole world that way - like when you're a house painter, all you see is a bunch of houses that need painting.
I like art that challenges you and makes a lot of people angry because they don't get it. Because they refuse to look at it properly. Rather than open their mind to the possibility of seeing something, they just resist. A lot of people think contemporary art makes them feel stupid. Because they are stupid. They're right. If you have contempt about contemporary art, you are stupid. You can be the most uneducated person in the world and completely appreciate contemporary art, because you see the rebellion. You see that it's trying to change things.
When you've written long enough, you see that there's a common theme in your work.
Outlook 2003 did create the idea of search folders and the whole Longhorn philosophy. You can see it at work in search folders, where instead of having to drop things into individual folders, and things exist only in one folder, you create these search folders and you have the criteria for the search folder.
I read American sagas (of the west) and I do not see people who went in search of material things. I see people who wrote down that what they sought was an escape from an old world which dictated their conscience and established their merit based on who their parents.
A good businessman sees where others don’t see. What I see, you may not see. You cannot see because that is the secret of the business… the entire world is a big market waiting for anybody who knows the rules of the game.
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