A Quote by Caio Fonseca

I've been playing piano my whole life but I'd never tried to understand how compositions are made really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand. I don't have professional pretensions. I've learned so much. So many things I've been doing in the visual, two-dimensional painting world parallel many of the inner working of music - how intervals resolve into each other, harmonic rhythm, tonal things - there's a whole vocabulary that overlaps. Sometimes people see pianos in my works - that I never think.
I've been playing piano my whole life, but I'd never tried to understand how compositions are made, really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand.
THE FATHER: But don't you see that the whole trouble lies here? In words, words. Each one of us has within him a whole world of things, each man of us his own special world. And how can we ever come to an understanding if I put in the words I utter the sense and value of things as I see them; while you who listen to me must inevitably translate them according to the conception of things each one of you has within himself. We think we understand each other, but we never really do.
We can use the romantic relationship as a microcosmic example. Until you really understand the other person and where they're coming from and you understand yourself and how you contribute to things, you can never make that relationship better. And I think sometimes people don't understand how much these things are related.
For someone who has been so important to my career, I have had absolutely no interaction with O.J. Simpson one-on-one in my whole life. I've tried many times. I have written him in prison, I've had other contact ... but he never responded, so I have never had a conversation with O.J. Simpson, never met the guy.
I've been doing two things my whole life: I've been cuttin' hair, and I've been playing the organ at church. Those two things are what I looked at as my life: this is how I'm gonna make my money, this is how I'm gonna make my living... It helped me to be stable in what I do.
I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.
If you think about work, it's just this endlessly fascinating subject. We spend at least half of our waking hours working. So it becomes this incredible window into a whole variety of things: who we are human beings, how the economy works, how people relate to each other, how stuff is made, how the world spins on its axis.
And that's how things are. A day is like a whole life. You start out doing one thing, but end up doing something else, plan to run an errand, but never get there. . . . And at the end of your life, your whole existence has the same haphazard quality, too. Your whole life has the same shape as a single day.
People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.
I have been struggling with mental illness and emptiness throughout my life. Now I want people to understand my glorious quest for the truth. Working on paintings is a process toward my artistic creation. It is a new spiritual theme of my whole philosophy for pursuing the truth. Each painting represents a process in all of my art.
Canada was my whole world and my whole reality, and now I meet people who've never been there, and it's like, 'You've never been to my whole world?'
My whole life, I've been called 'Just a pretty face,' or, 'You'll never amount to anything, you don't really have anything to offer, but your looks.' It's never defined who I am, I mean, I've heard it my whole life, it's nothing new.
My whole life is driven by love. It always has been. It's never been driven by material things - which are just benefits of doing something I loved.
I think it’s important to have a good hard failure when you're young. I learned a lot out of that. Because it makes you kind of aware of what can happen to you. Because of it I’ve never had any fear in my whole life when we’ve been near collapse and all of that. I’ve never been afraid. I’ve never had the feeling I couldn’t walk out and get a job doing something.
Our instructors do not understand how it is. To be bound to someone in such a way. They are too old, too out of touch with their emotions. They no longer remember what it is to live and breathe within the world. They think it simple to pit any two people against each other. It is never simple. The other person becomes how you define your life, how you define yourself. They become as necessary as breathing. Then they expect the victor to continue on without that. It would be like pulling the Murray twins apart and expecting them to be the same. They would be whole but not complete.
Character is too deep to catch in a single storyline. What really moves us - what makes the great stories, and there aren't so many of them - is the inevitability of character. The destiny. All we see is the arc. We'll never penetrate the secrets of the living, let alone the dead. I've spent my whole life trying to understand people, and all I've learned is that the deeper we look, the greater the mystery. At the core, each person is unknowable. Maybe that's the soul? I have to respect that. The mystery, in fact, is what I've loved the most, in people and in stories as well.
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