A Quote by Caitlin Doughty

One of the things that was most shocking to me about starting to work in the funeral industry is just how industrial the environment is. — © Caitlin Doughty
One of the things that was most shocking to me about starting to work in the funeral industry is just how industrial the environment is.
(About plan during Texas Relays) Have fun, be healthy, and enjoy the Relays for what it is. I'll just try to use the crowd and get some adrenaline and have a good time; just work on some things in this environment. This is almost a championship environment when you get down to it- with all of the fans, the energy and the adrenaline you get lining up. It's good rehearsal for the bigger stages and it's the season opener. This is the starting point. We're just looking for some starting points and to use some adrenaline to our advantage.
I always want to see films that are startling and amazing. Not just shocking. Shocking is easy to do. But startling in the way that makes you change how you think about things. Those are the movies I like the best.
To me, the most shocking thing about grit is how little we know, how little science knows, about building it. Every day, parents and teachers ask me, 'How do I build grit in kids? What do I do to teach kids a solid work ethic? How do I keep them motivated for the long run?' The honest answer is, I don't know.
It's shocking to think about how little the travel industry cares about sustainability - and it's the basis of their business!
Computers are so deeply stupid. What bother me most when they talk about technology is they don't realize how much more exciting their minds are. That machine is stupid. And boring. It does just a few things and then it'll crash. People think, 'I am on the Net, I am in touch with the world'. Wrong! The point is how we work, not how machines work.
People always say that my work is sensational or shocking but there are truly shocking things you could do, and my sculptures don't go anywhere near that.
I need to create an environment where I can be my best self, and that means being unapologetic about saying no to things that don't serve me or move me closer to my purpose and the things that I care about the most.
In my life, I don't wear makeup, I don't care about any of the trappings of the "feminine," or how I look in photographs. To me, it's irrelevant, which I think is really shocking to people in the industry that I'm in, because it's like, "You should always look good", but I honestly don't care. It's not important to me.
The archiving industry, much like the funeral industry and the wedding industry, these industries can be very exploitative.
My mum brought me to my first job when I was 12. I started electrical work at her plant. She was an engineer, a technical expert, at one of the plants in the south, and in the summer she brought me in and I learnt how industrial things work: casting, electricity, maintenance, everything.
I believe within five to 10 years most larger corporations will switch to greener industrial enzymes, not just for the environment but also for their bottom line.
Luckily for me, most of my work is through a brand or client who approaches my agent. Before I began modeling, I never realized how many barriers there were for people with disabilities within the industry. I didn't realize how much prejudice and ignorance existed. That made me even more determined to break down the barriers and to wake up the industry to the fact that beauty shows up in all different shapes, sizes and abilities.
I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.
I just work, to the exclusion of most other things. I rarely work in a frenzied manner, just kind of - if you take the beater that whips the icing or the eggs into shape - on the upper end of medium speed, that's kind of how I am about seven days a week.
In order to write about the machine you have to know it, to live with it, to love it (or hate it). I think that true writing could be done on industrial subjects by people who work in industry, who are firmly linked with it. But ... and here is the opposite 'but', the technology of literary craftsmanship is itself a very fine and complex matter. Qualified specialists from industry prove themselves dilettantes in the field of literature. The needed synthesis is not yet in sight.
I've always had a desire to be provocative and to make people think, but it wouldn't be any challenge for me just to be shocking. That is where it begins for me, not where it stops. And I could be much more shocking. I think I've adopted a sense of subtlety. I don't sit around wondering how I can make myself even stranger to the world. I've simply evolved into the monster I created, and I'm quite happy with it.
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