A Quote by Caitlin Flanagan
Every great culture has cared a lot, one way or another, about the fate of its girls.
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The Clinton administration cared a lot about the middle class and the poor. But it also cared a lot - too much, in retrospect - about the rich.
I found that in a perverse way our culture and parents are far more comfortable talking about girls' vicitimization than girls' sexual agency.
I couldn't have cared less about Gucci when I first went there - but soon after I arrived, I cared a lot.
I remember thinking Democrats and liberals were the good guys. They cared about the little guy. They cared about poor people. They cared about minorities.
They [the union] were members of the Communist Party - they didn't care one way or another about Russia, they just cared about the United States.
In politics, my role model would be a very weird one - our second emperor, Pedro the Second. He was a person with no vanity. He cared a lot about the public interest. He cared a lot about Brazil evolving as an important country. And he didn't ask much for himself. He was ousted from power, and he lived with the help of friends in Paris.
If you are blessed with great fortunes. . . you may love your fate. But your fate never guarantees the security of those great fortunes. As soon as you realize your helplessness at the mercy of your fate, you are again in despair. Thus the hatred of fate can be generated not only by misfortunes, but also by great fortunes. Your hatred of fate is at the same time your hatred of your self. You hate your self for being so helpless under the crushing power of fate.
I played a lot under John Wright, he's been a great influence on how I'll go about the job, in terms of being in the background. When I became a mentor for Mumbai Indians, I brought John in because he understood a lot about Indian culture and then the way coaches work.
I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
I'm not interested in making all-black films - I come from a very diverse culture; I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
I also wanted my basketball players to know that I really cared about them. Forget basketball; as a person, I cared, I cared about their family.
I'm a God-fearing man, go to church every Sunday, and have since I was a boy. But if I ever found out that God cared one way or another about a borderline illegal fist-fight on Saturday night, I would be so greatly disappointed that it would make rethink my entire belief system.
In our culture the way women have been represented in American film had a pretty big impact on my self-esteem and I'm sure it did on a lot of other girls. I think they have a greater psychological impact that anybody's willing to talk about.
If there was any creature in American culture more derided than the young girl... I know people will argue with me about that, but everything girls are into gets ridiculed. I have a lot of compassion in my heart for girls in their teens and twenties who are going through this particular passage, because I get it. It makes sense!
I have worked with a lot of great directors but my favorites are all entirely different from one another. They don't go about it the same way.
When my son said, "I can't stop thinking about girls," I said, "That's not gonna stop. Congratulations. You're in the club. From now until the day you die, one way or another you'll be thinking about girls.
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