A Quote by Caitlin Moran
Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?
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It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
You put this face on television, week in, week out, they'd stop me and they'd say, 'Hey, Roy, how are you doing?' They'd know who I was, what I was, what I looked like, and what I did - all from seeing and hearing it at the same time on television.
I'm inordinately proud of Smash, on so many levels. The complexity of producing that show, every week, is just incredible. As a television producer and as a Broadway producer, which I once was, I am in awe of what we can do on that show, every week.
At network television you could make a show like Freaks and Geeks, and even though 7 million people watch is every week, you were considered a terrible failure, and they got rid of you and staff. Now ... It's like a world where the replacements are the biggest fans in the world. It's, the Elvis Costellos of television are the winners. Creativity is king and it's very very exciting.
I'm such a huge fan of television and what's happening in television, right now. You are able to visit characters and visit a story, week to week, push things in a different way than you can in a film, and you are able to go deeper, simply because you have more time. I'm just excited to do that. It's always good to do new things.
Things can change on a daily basis in television. You can be introduced to aspects of your character that you had no idea existed because they didn't exist a week before. The next week it might be taken away from you in some way that you can't control.
My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?
From a writing standpoint, maybe television is a little more satisfying because it's not all hinging on one thing. You can experiment, week to week, and you can be a little narrower in your scope one week, and then be a little broader the next week. But with film, everything can look the way you want it to look. You can really sculpt the final product. So from a directorial standpoint, film is more satisfying. But, they're both forms of media that I'd like to keep involvement in.
The television business is based on managed dissatisfaction. You're watching a great television show you're really wrapped up in? You might get 50 minutes of watching a week and then 18,000 minutes of waiting until the next episode comes along.
When I started out, I was a television writer, and we wrote a television show that was on live every week. And you didn't have the luxury of coming in and waiting to be inspired. You came in and you had to write. And you wrote, because it was going to be live on the air. So I can do that.
Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'
Film and television are just different. Film is cool because it's a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so it's constantly a mystery as to what you're going to be doing.
My hobbies are random. One week I want to exercise, one week I just want to eat all day. One week I'm going out every night and the next week I'm totally locked in my house, not going anywhere. I'm a little bit all over the place, socially. I don't have another passion or hobby - it's really music. I'm in the studio constantly.
The thing about our movies is, we write thirty drafts. That's a very detailed script. Which means that if you try to crank it out week to week in television, it's impossible.
I'm not doing a 9 to 5 job, so every week is different; one week I might be at home for three or four days, and another week it'll be busier. That's the beauty of my job.
Film and television are just different. Film is cool because its a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so its constantly a mystery as to what youre going to be doing.
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