A Quote by Caitlin Moran
My core belief is that if you're complaining about something for more than three minutes, two minutes ago you should have done something about it.
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The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition.
'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.
When will it begin, anyway?" Sirus held his gaze for a moment, his eyes full of concern- a concern that Joss didn't understand. "Probably sooner than you're ready for." "When's that?" "Well." Sirus sighed, as if doing the math in his head."It'll take us about three minutes to gather this stuff and get to the cabin, and another two or three for Abraham to realize you're here. So I'd say you have about seven more minutes of freedom left.
If there is something that you have to do, resist the temptation to do it under duress. Ask yourself, "What's the worst thing that would happen if I didn't do this?" And if you can get away with not doing it at all, don't do it. And then imagine what would it feel like to have this done. Spend a day or two, if you can, just 15 minutes here, 5 minutes here, 2 minutes here, here and here, imagining it completed in a way that pleases you! And then, the next time you decide that you're going to take action about it, the action is going to be a whole lot easier.
Acting is a bit like being an athlete. You spend all your time getting ready to do something for two minutes. All the things that made my career in the movies happen took two or three minutes, which is the time that it takes for a 'take'. In that time, something happens. That's what people know you for, just like someone running the hundred metres.
I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.
If I play two minutes, three minutes, 20 minutes, it don't matter to me. As long as we win.
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
You read about these oyster-shucking contests: Somebody did 100 oysters in three minutes, three seconds. I'm lucky if I can open one in three minutes, three seconds.
In New York, people are pretty cool, and you don't catch a lot of grief. But in certain spots, man, it's over. If I stand in the same place for more than 20 minutes or 10 minutes or something, there'll be 40 people standing there, all screaming something different.
Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them. And then, there's the example of really chipping away at something to create something great. I don't believe that one is more reliable than the other.
All of a sudden America wasn't about hamburgers and hot rods anymore. It was about the Mayflower and Plymouth Rock. It was about something that had happened for two minutes four hundred years ago, instead of everything that had happened since. Instead of everything that was happening now!
If you spend five minutes complaining, you have just wasted five minutes. If you continue complaining, it won't be long before they haul you out to a financial desert and there let you choke on the dust of your own regret.
In 'Kahaani,' I did not have more than 15 minutes in the whole movie and my character has dialogues for not more than two minutes. Still,the audience remember me for that role.
A sketch should be about two to three minutes, which is basically what most songs are. They're usually done by groups. Good examples of each build and have different parts and twists in them. I guess sketch would be the comedy version of music.
Day one through three of the radio tour, I actually went by Camaron Ochs. I went to my first set of radio remotes, and everybody was just like 'What's your last name?' It's not easy to pronounce. The first two minutes I got with people, that's what they wanted to talk about, and sometimes those two minutes is all you get.
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