In the early '90s, it was grunge; everybody was fully clothed. Alanis Morissette was one of the biggest artists in the world, never wore makeup, wearing Doc Marten boots, and then the Spice Girls turn up, and suddenly it all looks a bit burlesque; suddenly they're the biggest band in the world.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
I feel more comfortable performing when I'm wearing something crazy. I grew up in the '90s, so I love a choker and platform shoes like the Spice Girls wore.
Alanis Morissette - I think she's one of my biggest inspirations.
One of my biggest inspirations was Alanis Morissette's 'Jagged Little Pill.'
The Alanis Morissette tour, everybody thinks that was all sitting around, lighting candles and talking intelligently about synergy and big words. That band was so gnarly. We were such scumbags. Alanis had no idea. We were like Van Halen.
To be honest with you, my mom never really wore makeup when I was growing up. She wasn't really my makeup muse. It was my grandma. The biggest thing that she taught me is that it doesn't matter how your makeup comes out, it's really just how you wear it. If you carry it like you killed your makeup, then that's all that matters.
I rode my bike to school, I was the head girl, I played the violin, was really nerdy. I was really underweight, so I was really skinny and under-confident. But I had Doc Marten boots! So I was a bit of an outsider. And clever as well.
Our band Stereophonics never wanted to release a couple records and be the biggest band in the world for 10 minutes. We always wanted to stand the test of time, and make great music that people would want to listen to and that music lasts. We'd looked up to artists and bands that had big back catalogues.
Every once in a while, we have some sort of movement in music that everyone suddenly wants to work in, like grunge or rap or disco or some other musical phase, and then suddenly, that'll be the thing to do.
But then as I got older, I got to know all these amazing artists like Alanis Morissette, Stevie Nicks, Debbie Harry, all these women who are really the creators behind who they are.
Travel, for me, is a little bit like being in love because suddenly, all your senses are at the setting marked 'on.' Suddenly, you're alert to the secret patterns of the world.
I grew up loving artists like the Spice Girls and Britney Spears - artists who seemed to live this fantasy lifestyle, and I remember always wanting to join these fantasy people in that world.
It's like, what happened, I was always leading fashion, and then the grunge thing kind of came along. And because I've been so on top in the '80s you know, I, you know, what can I do? Suddenly go grunge?
I grew up in the suburbs of Cleveland in 1988 and there was just one year where suddenly all of the delivery kids that used to be boys were suddenly girls. It happened at our church too. Altar boys were suddenly altar girls. There was just this sense that all these young women knew there were openings here to be the first of their kind.
I never quite lived up to the image of the black man as I saw it growing up. I was never listening to the right music at the right time or wearing the right clothes at the right time. I was still listening to Michael Jackson, and everyone had sort of moved on to gangster rap. Alanis Morissette when everyone else was listening to En Vogue.
I began by playing for the biggest club in the Lorraine region, went on to the biggest club in France and ended up with the biggest in the world.