A Quote by Caitlin Moran

I think there are brilliant jokes to be made about abortion, and we should be able to talk about this in the way that we make jokes about death - you should be able to make jokes about everything.
Every comedian comes to a fork in the road where they have to decide if they're going to make jokes about other people or make jokes about themselves. I chose myself.
I think you make better jokes when you don't break logic for the joke, unless you make a movie just about jokes.
In any show, not everybody is completely with us on all the topics we talk about. We talk about Hindutva, and we talk about the problems with Islam also. If there are Muslims in the audience, laughing at the jokes on Hindutva, they will have to confront the jokes on Islam too.
I personally don't feel any pressure to make jokes about multiple baby-fathers and stereotypical black jokes, because one, that's just not my life, and two, I wouldn't even sound right talking about those things.
I like sort of esoteric and weird Twitter jokes. But I actually unfollow people if they make jokes about a celebrity's death within the first two minutes of that celebrity dying.
I decided that instead of making jokes about politics, I need to take part in it, and therefore, I can't make jokes and participate.
I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.
I like to make jokes; I consider myself a funny person. I just think making jokes about people who are in a situation beyond their control is not funny to them or their families.
I've never been able to tell jokes. In the beginning of my career I did impressions and jokes like any other comedian, but I was never very successful because I did it poorly. So I started to talk to the audience and started talking about the atmosphere around me and started to become angry, not in a mean-spirited way, but in a fun way - and my attitude developed from there.
Jokes about my surname aren't a big deal at all. In fact, that's what jokes are meant for - you laugh and then forget about it.
The reality about shooting films is that you can shoot many jokes and decide later which one works. So it's not worth fighting about jokes.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
Jokes are a lot about meaning. I think if we understand what jokes mean and why they work, we'd understand everything else. Genuinely I do.
I don't like my wrestling or entertainment in general to be too clean or predictable for me as a fan. When I say clean, I'm not talking about dirty jokes, middle fingers and stuff like that. I'm actually not even a big fan of that. A lot of people talk about the attitude era being so great but a lot of it was terrible crap, sex jokes and over-the-top terrible bad comedy. It was Jerry Springer-like. They made a joke about a woman's breasts. Hilarious, but where's the wrestling? I look back on a lot of stuff now, and I'm like where's the wrestling? It's just a lot of crappy jokes.
I made some jokes about weed, got some laughs, made some more jokes, got some more laughs; next thing you know, I'm telling a lot of jokes about it.
And there's wordplay and there's rhythms and you have to be able to get the poetry out of it. You have to be able to sell my jokes. And if you're talking about somebody like Sam Jackson, they do that. Sam Jackson can do that. Sam Jackson can turn it into the spoken word that it was always meant to be and he can sell my jokes. And Christopher Walken can do it and a lot of people can do it, all right.
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