A Quote by Caitlin Moran

In the end, I want to spend my 60s writing bonkbusters like Jilly Cooper. — © Caitlin Moran
In the end, I want to spend my 60s writing bonkbusters like Jilly Cooper.
In the end I want to spend my 60s writing bonkbusters like Jilly Cooper.
I read Jilly Cooper when I was on the verge of just growing up and I was becoming a woman.
I do read on holiday, but it tends to be very lowbrow. I'm into really camp biographies, and I'm a shameless fan of Jilly Cooper.
At first, I spend about four hours a day writing. Toward the end of a book, I spend up to 16 hours a day on it, because all I want to do is make it good and get it done.
Nobody is in their right to tell anybody how to spend their free time. If you like to spend it with your family or your kids, fantastic. If you want to spend it with your girlfriend, great. If you want to spend it doing charitable work, great. If you want to spend it through endorsements and marketing stuff, great.
As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.
When I'm writing music, I'm not playing a character. I'm not Alice Cooper or Gene Simmons or someone like that, who has acknowledged that they are writing music for a character.
I often mention Alice Cooper. I don't wanna sound like Alice Cooper or be confused with him at all, and I certainly don't think we are.
I spent seven years writing The Free World. There are a lot of things I accomplished there that I'm very proud of, but I didn't want to spend another seven years writing a book like that.
I want to be like Bradley Cooper when I grow up.
And yes, there are things I want to keep, that I like around me - especially when there's very little left. I just want to keep those little bits of reminders of my past. There are certain drawings from the '60s; certain little paintings from the '60s that I keep.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
Years on end, and swords on end - where will it end, if our ears unbend - what shall I spend on a wrinkled friend in a pair of tights like a bunch of lights?
I don't want to spend my time thinking about somebody else, I want to spend my time just being me and embracing life and living it and being there. At the end of the day, I'm responsible for my words and my thoughts and that's how I live.
So many people spend their lives chasing money and end up as the richest men in the cemetery. I don't want to be like that.
I was shaped by the heroes in the films I saw, which you always want to emulate and be like. I wanted to be like Alan Ladd, Gary Cooper, Jimmy Stewart.
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