A Quote by Caitlin Rose

I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It's too expensive otherwise. — © Caitlin Rose
I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It's too expensive otherwise.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.
I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I grew up with vinyl records and remember the pleasure and the kind of buzz that I got from buying a beautiful vinyl record with the sleeve and the lyrics - all that kind of tactile experience that you could get from an old vinyl record.
Vinyl is great, I made a lot of vinyl, but I don't want new vinyl that's from digital sources, because that's a rip off.
Oftentimes, when people cut a record from analog tape to vinyl, they digitize the music first; I did a little investigating and discovered that most vinyl records that I've ever heard were digitized before they were put onto vinyl.
I started buying vinyl records when I got into punk music because, in the punk scene in New Jersey, vinyl was more like a necessity than a luxury.
It was so exciting to go to the record shop and buy a piece of vinyl and hold it, read the liner notes, look at the pictures. Even the smell of the vinyl.
I inherited this collection of vinyl records, which at that time numbered 6,000, and I've since continued to collect music. As you know, vinyl records can be very heavy, so every time I have to move into a new house, I need to build a complete new wall of shelves to put all these records, which is a nightmare for the architect.
Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
I buy records - vinyl. I have a record player at home.
I believe in doing vinyl. As long as vinyl can still be made into a high-quality standard, I'm going to still make all my records as a side A and a side B because that's how I grew up listening to music.
Whenever I see something that looks like it could be good - whether it's on vinyl, CD or cassette - if it's not too expensive, I'll take a chance.
I had a year-round Christmas tree with nothing but colored vinyl 45s hanging on it, like, old Elvis records and stuff.
Rat Records in Camberwell is where most of my record collection has come from. It's like someone with my exact taste in music has handed them all their old vinyl.
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