A Quote by Caitlyn Jenner

'Can't Stop the Music' has become a cult film. It's kind of shocking to me. People come up to me all the time and say, 'I just saw it!' — © Caitlyn Jenner
'Can't Stop the Music' has become a cult film. It's kind of shocking to me. People come up to me all the time and say, 'I just saw it!'
They were just kind of simultaneous - the film ending and the sets being destroyed. I was struck the first time I saw the Great Hall become a big pile of burning rubble and getting scattered around. It's really quite shocking for the fans.
I would say Will came at a time in my life where he saw beauty in me that I didn't see in myself at the time. And, you know, he saw a diamond in the rough and kind of, picked me up and blew off all the dust and said, 'I'm telling you, I'm going to make you shine, girl.'
'Company' has become a cult film. When people see me at the airport, and when I travel, they call me 'Companywala.'
I guess it's kind of the obvious thing for me to do 'cuz it's what I grew up listening to. The songs growing up and everything kind of seem like old music to them, but to me, it's just... good music. And of course I did grow up in England in the 21st Century and that does come into it as well.
Kids come up to me all the time and say, 'Once I was going through a really bad time, and I saw you crash and get up, and it inspired me.'
People who don't know me, when they see me they kind of step back and just stare at me and say, "Dang, he's a big dude." True fans and guys who follow the sport, they know who I am. But sometimes I do get those people that look at me and kind of stop and just stare at me, which I hate.
My mother told me I was begging her to be an actor when I was four. My father and my grandfather saw at least one or two movies a week; they were film buffs, so I guess it just rubbed off on me. And now it's kind of become a way of life for me.
People will come up to me everywhere and say, 'Ah, I saw you on 'Larry King,'' and, 'Ah, I saw you on 'Oprah.'' And it's really nice, and a lot of people say, 'Is it a pain?' And I say 'No.' And it's not annoying.
People will come up to me everywhere and say, 'Ah, I saw you on 'Larry King,' and, 'Ah, I saw you on 'Oprah.' And it's really nice, and a lot of people say, 'Is it a pain?' And I say 'No.' And it's not annoying.
People come up to me all the time who saw Dad in 'Oklahoma!' or 'Pajama Game,' and they say they'll never forget it.
I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film!
Latino people have come up to me and said they were motivated to become a lawyer because they saw me play one on TV - and you can't discount how great it is when they tell me I was the first.
I should say that feminism gave me permission to deal with my own emotional life and put it up front in certain ways, or use film as a way to examine, at that time, my own heterosexual experience. Lives of Performers was the beginning of that kind of investigation. But also, the film was influenced by the aesthetics and structures of experimental film as that was taking place at the same time. Hollis Frampton was a big influence on me at that time.
When I go back to Texas, I travel the state, and I see people all the time who come up to me, men and women across Texas, and they grab me by the shoulder, and they're afraid. They say, 'Ted, you know, I just lost my health insurance. I got a child with diabetes. I'm scared. Please stop this from happening.'
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
When people want me to sign an autograph in a restaurant, and I'm eating. I don't even have to say no, I just kind of stop and look at them ... "Oh, okay. I'll ... I'll come back."
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