I can be almost terminally grief-stricken because things are so dire, but at the same time, there's a real lightheartedness about just the recoverability of life, of how things change, how they're not the same, ever again.
Imagine a world in which we saw beyond the lines that divide us, and celebrated our differences, instead of hiding from them. Imagine a world in which we finally recognized that, fundamentally, we are all the same. And imagine if we allowed that new understanding to build relations between people and between nations.
There are moments when the grief comes bubbling up. The first time I saw Chris's chair empty, that was really hard. And it was hard when I started folding up some of his sweaters that I so imagine him wearing.
The goal of a startup is to figure out the right thing to build-the thing customers want and will pay for-as quickly as possible. In other words, the Lean Startup is a new way of looking at the development of innovative new products that emphasizes fast iteration and customer insight, a huge vision, and great ambition, all at the same time.
It's hard being homeless at any age, but at 16 years old? I can't even imagine. When you're a homeless teen, how do you build a future or have any sort of life?
The measure of a man's life is how he copes with the terrible wall of fear.
You have to build a lot of bridges to the new coaches, show them how hard you work. It's one thing for them to hear about you, but it doesn't matter until they see you.
I can be almost terminally grief-stricken because things are so dire, but at the same, there's a real lightheartednes s about just the recoverability of life, of how things change, how they're not the same, ever again.
Grief doesn't fade. Grief scabs over like my scars and pulls into new, painful configurations as it knits. It hurts in new ways. We are never free from grief.
I'm a New Yorker. I was there during 9/11 and I saw how, not only New York City stopped for a moment, we all took an inhale and exhale at the same time - the world united at that time, and it changed my life.
I was struck after 9/11 by what seemed the assumption that everyone bereaved by that event was suffering the same thing. I wanted to explore how individual grief is, how complicated, how colored by the complexity of the mourner's relationship with the person who's died.
Ultimately, theatre takes place in the minds of the audience: they all imagine the same thing at the same time.
A new life? There’s not such thing. It was only in the magazine headlines that people got a new life. Stopped drinking or taking drugs, found a new love. But the same life.
I think one thing that has helped me to be an entrepreneur is being an immigrant and coming to the United States. I had to basically build a new life for myself, and adjust very quickly to a new environment, new culture, learn a new language.
What I didn't want to come in with is 'Camelot' in all its pomp and glory. Instead we're looking at how you build a society, how you build a world that people believe in, and how hard it is.
New grief, when it came, you could feel filling the air. It took up all the room there was. The place itself, the whole place, became a reminder of the absence of the hurt or the dead or the missing one. I don't believe that grief passes away. It has its time and place forever. More time is added to it; it becomes a story within a story. But grief and griever alike endure.