A Quote by Caleb Carr

I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face — © Caleb Carr
I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face
I wanted nothing less than to be a fiction writer when I was a kid. If you had told me I would be an artist or novelist when I grew up, I would have laughed in your face.
If you'd ever told me that my Broadway debut would be playing Spider-Man, I would have laughed in your face.
I wanted to be a visual artist because I grew up around a lot of painters and photographers and had a very artistic upbringing. And I fantasized about being a drug-dealer when I was a kid. I thought it would be a good opportunity; I knew that the market would be strong. Is that bizarre?
Clearly, I wanted to be a pro wrestler, but I got laughed at. I was kind of the runt. I was never the tallest kid or the biggest kid or the strongest kid, so I would get laughed at when I'd say it.
I always wanted to be a writer, and I did want to be a novelist. In college I took a couple of classes that taught me I would never be a novelist. I discovered I had no imagination. My short stories were always thinly veiled memoir.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
What do you mean less than nothing? I don't think there is any such thing as less than nothing. Nothing is absolutely the limit of nothingness. It's the lowest you can go. It's the end of the line. How can something be less than nothing? If there were something that was less than nothing, then nothing would not be nothing, it would be something - even though it's just a very little bit of something. But if nothing is nothing, then nothing has nothing that is less than it is.
I was a novelist before I was a TV screenwriter. Actually, as a kid, I think I'd always wanted to be a writer, but never thought that I would be one.
Ever since I was a kid, I might have been eleven or twelve. I'd be telling anyone who would listen that when I grew up, I wanted to be an artist.
When I was a kid, I really wanted to be a writer and an artist when I grew up. So in college, I was an English major, and then I became a fine artist. But when I arrived in San Francisco in 1995, I figured I could leverage my artistic skills by becoming a Web designer and programmer.
When I was a kid, there was nothing better than water balloon fights. I grew up in Brooklyn: we had the fire hydrants, and we would open up a soda can at both ends and squirt people walking by. I love the kinds of things that encourage you to let your guard down, be open and vulnerable, and just to be laughing sincerely.
When I was a young writer if you went to a party and told somebody you were a science-fiction writer you would be insulted. They would call you Flash Gordon all evening, or Buck Rogers.
When I was a kid, I figured I would be a physicist when I grew up, and then I would write science fiction on the side. The physicist thing didn't pan out, but writing science fiction on the side did.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
I'm not the only kid who grew up this way, surrounded by people who used to say that rhyme about sticks and stones, as if broken bones hurt more than the names we got called, and we got called them all. So we grew up believing no one would ever fall in love with us, that we'd be lonely forever, that we'd never meet someone to make us feel like the sun was something they built for us in their toolshed. So broken heartstrings bled the blues, and we tried to empty ourselves so we'd feel nothing. Don't tell me that hurts less than a broken bone...
Had I known that the heart breaks slowly, dismantling itself into unrecognizable plots of misery... had I known yet I would have loved you, your brash and insolent beauty, your heavy comedic face and knowledge of sweet delights, but from a distance I would have left you whole and wholly for the delectation of those who wanted more and cared less.
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