A Quote by Caleb Shomo

When there are rock festivals where there are sometimes 120,000 people and they're all sold out and they're epic, I think rock is alive and well, and hopefully it stays that way.
The music I like to play is Rock 'N Roll. I like to rock like a wild animal. I like to rock it well enough to whip a yak's ass. I love to rock it good on a horse's ass. I like to rock it real hard. I love to rock it all the way to Russia. I like to kick out the Jazz and kick it out all the way.
Good rock 'n' roll is something that makes you feel alive. It's something that's human, and I think that most music today isn't. ... To me good rock 'n' roll also encompasses other things, like Hank Williams and Charlie Mingus and a lot of things that aren't strictly defined as rock 'n' roll. Rock 'n' roll is an attitude, it's not a musical form of a strict sort. It's a way of doing things, of approaching things. Writing can be rock 'n' roll, or a movie can be rock 'n' roll. It's a way of living your life.
I say as long as the individual stays creative and continues to come up with fresh new and exciting ideas, rap will be here. That's established. Simple. As far as what I want to do, I want to get busy, man. I want to rock 60,000 people. I want to rock the Superdome.
By the end of 2001, between 100,000 to 150,000 Algerians had died in the civil war, as well as 120 foreigners. The cost to the economy ran into billions of dollars. And all this in spite of a tough, 120,000-strong army backed by 80,000 police.
I rock because sometimes I'm scared and that's alright. I rock because I'm not afraid to cry. I rock because I'm loved and I'm able to love. I rock...I rock.
No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.
I discovered after going to music festivals that I am a rock fan. I love the guitars, the phrasing, and the abandon of rock fans.
The landscape everywhere, away from the river, is of rock - cliffs of rock; plateaus of rock; terraces of rock; crags of rock - ten thousand strangely carved forms.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
Rock music was the death of jazz in a way. I know there's a bunch of people who say jazz isn't dead, but I mean, rock 'n roll, you play three chords to 20,000 people; jazz, you play 20,000 chords to three people.
I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.
Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.
If we could sell 100,000 units every album, that would rock. We'd have a big cult following, we'd have a built-in fanbase so we could pretty much play anywhere, people would show up and rock out.
If we could sell 100,000 units every album, that would rock. We'd have a big cult following, we'd have a built-in fanbase so we could pretty much play anywhere, people would show up and rock out
With how huge Yes was, especially in the '70s and '80s, as a touring band and actually playing at the JFK Stadium in Philadelphia to 130,000 people, which is the biggest-paying show ever in rock history, you would think we'd done enough for the Rock and Roll Hall of Fame.
In 1986, wrestling was so huge in Charlotte that we did four events at the Coliseum with the Rock 'N' Roll and the Midnights in a 10-week period - and sold almost 45,000 tickets and drew almost $400,000 at the gate.
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