A Quote by Calista Flockhart
Just remember, when you're with me you're not the strangest person in the room. Go ahead, get weird on me.
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I remember I didn't know who Jason Williams was, and he got drafted ahead of me. It was just weird. I thought I'd be in the top five, and I slipped all the way to 10, so it was a strange night for me.
When I go down to Comic-Con in San Diego, people remember me for some of the strangest things. They go on and on about it, and I reminisce about it, and it's great fun. It's interesting to see what people remember me for.
I'm usually a mellow, go-with-the-flow person, except when someone tells me I should do something. Then I get stubborn. If they don't back off, I get this horrible rage and want to kill them. When I was four and my mom would send me to my room, I'd get so mad I'd go outside and bang my head on the sidewalk.
I remember meeting my manager Eamonn for the very first time, and one of the first things he said to me was, 'You're fat. The first thing you need to go is get to a gym.' It was quite a wake-up call. I got a bit angry initially, like, 'The cheek of him', but I'm quite a pragmatic and thick-skinned person, so I just went ahead and joined the gym.
It's just so weird how you get so used to what we do: I could go in there and wrestle main events on Live Events for 25-30 minutes, but I couldn't really get the sheets off me in bed. It's weird how that works. Your body just adapts.
I've always said, just go ask my teammates if you want to know about me. Go ask the guys that I've played with. Don't ask or get information about me from people who are not in the locker room or not around me all of the time. Then you'll get legit answers.
I remember, as a kid, I loved kimchi. It wasn't weird to me at all because it was in our house all the time. There was never a second when a huge jar wasn't in our refrigerator. I remember bringing it to school, and that just did not go over well at all.
Often I visualize a quicker, like almost a ghost runner, ahead of me with a quicker stride. It's really crazy. In races, this always happens to me. I see the vision of a runner ahead of me, maybe just 15, 20 meters ahead of me, and the cadence of that runner, which is actually me in the future, is a little quicker, so if I'm going (his rhythm/breathing), then my ghost runner, the vision of me, ahead of me, like opening up and just going for it, is quicker .
I've just concluded that for me personally it is important for me to go ahead and affirm that I think same-sex couples should be able to get married.
What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.
I remember, when I got my first period, I was almost afraid to tell me mother, who's quite an open, loving person. But I felt really weird; the chat just wasn't there.
I always get carried away when I'm kissing. I just go nuts! Walking away after it is the strangest moment for me. It's embarrassing - not knowing what to say to each other.
Because I could see that all these kids were weird and even they didn't accept me, I knew I was the strangest one of all.
Almost all of my jobs have been on locations. And I think you can be that person who says, 'I have a job that forces me to travel and I'm just going to go ahead and do it and pray for my next flight home.' Or 'this is where I am, this is my life, let me see a part of this world I now live in.'
I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
I remember somebody had said to me "What're you doing with a movie like Boiler Room? It's all men and you're a woman. You should be making romantic comedies," or something like that. Boiler Room, for me, was a morality tale. I remember this interview where they said to me "Yeah, but all the characters are men," and I was like, "But I'm a girl, I like men!" It's not like there's nothing interesting to me just because a lot of characters in that movie happen to be male. Just because I'm a girl doesn't mean I only wanna make Must Love Dogs over and over again.
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