A Quote by Callan McAuliffe
The Australian accent is sort of like going down a step in smartness, you could say, because you guys pronounce things as they're spelled. We add and abbreviate stuff.
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Acting for me was hard enough without having to think of the accent. And also, when I was auditioning for stuff I would walk into the room with an Australian accent, and I would do the audition in an American accent, and they would invariably say, 'Yeah, it's that good, but I can still hear the oddity coming through.'
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
I thought I was clever by greeting casting agents in my Australian accent and then switching to an American one during the performance. But the Australian accent seemed to put them off. Now it's the opposite; they love Australians. And with my thick Californian accent I now have a problem convincing them I'm Australian.
At a lecture I am asked to pronounce my name three times. I try to be slow and emphatic, "Anaïs - Anaïs - Anaïs. You just say "Anna" and then add "ees," with the accent on the "ees."
My mother and my father had very, very strong Scots accents. We were Australian, and in those days when I was young, I spoke with a much more of an Australian accent than I have now. However I knew that if I went to England to become an actor, which I was determined to, I knew that I had to get rid of the Australian accent. We were colonials, we were Down Under somewhere, we were those little people Over There. But I was determined to become an Englishman. So I did.
One big power of an actor is knowing when to say no to something. It can be very tempting to say yes to something, because you're flattered that somebody would like to work with you, and your ego sort of takes over, but it's important to ask whether there could be something you could add to a project by being part of it.
My accent is... sort of an Edinburgh sort of soft southwest Scottish accent. It could almost be English.
The Australian accent just a very lovely accent and it doesn't have the pretention maybe of an English accent, but yet seems a little bit more exotic than an American.
I try not to focus on taking things away; I try to add in nutrient-rich foods into the things I eat. I don't say, 'I'm going to take out the fat.' I say, 'What can I add in to make my muscles work more? What can I add into this that will give me the vitamins I need?' It feels luxurious!
Religion is spelled 'D-O', because it consists of the things people do try to somehow gain God's forgiveness and favor. But the problem is that you never know when you've done enough. But thankfully, Christianity is spelled differently. It's spelled 'D-O-N-E', which means that what we could never for ourselves, Christ has already done for us. To become a real Christian is to humbly receive God's gift of forgiveness and to commit to following His leadership.
I think online, like on YouTube and stuff, people could pretty much say whatever they want. They have no filter in their brain, because no one knows who they are. They're totally anonymous, so they could say whatever they want. But when they're in person with me, they wouldn't say those things, because I can actually see who they are.
I had this very strict rule when I began auditioning that I wasn't gonna do a thicker accent, because it was like, 'I can't tell if it's supposed to be funny because he talks funny.' And now I feel like there are certain characters that I could play that could involve doing a thicker accent, as long as it's specific to that character.
I was the kind nobody thought could make it. I had a funny Boston accent. I couldn't pronounce my R's. I wasn't a beauty.
The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.
I've always liked the idea of inventing stuff. My father told me, because I was naïve, I would think things could work and therefore do them, because I would have no doubt even though there was no solid foundation for this confidence. I don't think I would be a real inventor. But when I set out to do animation, which was my first step into film-making, I realised I could achieve this idea. I could take some elements, create a sort of clumsy invention, and make them work for the camera.
I think there is a kind of laconic Australian leg-pulling sense of humor that is certainly in some of my stories, or is an element in some of my books, and that's probably a direct result of where I've grown up. But other than that I don't draw particularly on the Australian landscape or the Australian biology and so on. So I don't think there's anything you could point to and say is particularly Australian.
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