A Quote by Callan McAuliffe

I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.
I'd never gotten to do an accent for anything that I've done, so that was really appealing because I love doing accents. Ever since I was a kid, I made it my business to try to mimic foreign accents, so it was really fun to be able to do that. I was really working on the accent to try to make it really good.
I think people are really picky about English accents. When a Brit comes over here and kind of does an OK American accent, everyone's like, 'You were great! Fantastic!' But in England, even if you were doing a pretty good accent, they're like, 'But where are you from?' 'London.' 'What part of London?' Accents are really precious over there.
Given the choice of living in Los Angeles or living in Sydney, I would choose Sydney.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
In Nova Scotia, there are some definite down-home accents, and it's funny because you can go to Sydney, and one guy is from North Sydney, and you can't understand a thing he's saying, or Glace Bay or wherever.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
Thank God, I have sort of a pan-European accent rather than Russian, which doesn't sound very pleasantly to Americans. For them, we speak with a rather rude pitch, and that might be our actors' problem there. Now I've begun working with language coaches in Los Angeles to get rid of the accent completely.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
I could do an American accent, if I were immersed in the accent, meaning if I were living back in Los Angeles and rehearsing and auditioning the whole time.
Today, actors aren't forced to ditch their regional accents like they used to. The best example's Tom Baker, a Scouser who went to great lengths to change his accent and ended up with something alien - and fantastic. It's sad that when the likes of him go, there won't be those sorts of accents any more.
I'm a gypsy at heart. I have a little triangle where I tend to go, which is between Sydney, Los Angeles, and London, and I'm happy with that at the moment.
I've been typecast. People don't want to take a risk or a chance. Quite a few times they've come up to me and say "We want you to do that Russian accent." And I'll be like, "How about if I do an Irish accent or a South African accent," and they don't trust that you can properly pull them off.
Americans aren't good at accents, but the English are because their accents change. You go five or six blocks and the accent is different, so they are used to hearing different pitches. In America, you gotta travel maybe 10 states before you can really hear a difference.
The Norse way of speaking, no one really knew what the Vikings sounded liked, they were Norsemen. The accent is really a combination of a Scandinavian accent, maybe with a Swedish accent and an old way of speaking.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
My parents speak with an accent. A lot of people that I know speak with an accent. I have friends who speak with an accent. Accents in a vacuum aren't a problem; it's how you portray those characters and how well they're served in a script.
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