A Quote by Callie Khouri
What I'm mainly interested in is not having women characters that have to be perfect, obviously. That's something I feel strongly about and have that in every single thing I've ever done.
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I'm not interested in being perfect when im older. Im interested in having a narrative. It's the narrative that's really the most beautiful thing about women.
I think that's the kind of women that people are interested in. They're interested in strong women characters who are stronger than the male characters sometimes, in some ways. That's what's interesting and attractive about women.
The really interesting stuff about virtuality is what you can measure with it. Because what you can measure in virtuality is everything. Every single thing that every single person who's ever played in a game has ever done can be measured.
I feel like every role that you take there's a part of you that obviously feels like you can do it. I don't know if perfect is the right word because I don't believe in perfection and I don't think it exists but I think striving to do something well is in every single part.
My skills weren't that I knew how to design a floppy disk, I knew how to design a printer interface, I knew how to design a modem interface; it was that, when the time came and I had to get one done, I would design my own, fresh, without knowing how other people do it. That was another thing that made me very good. All the best things that I did at Apple came from (a) not having money, and (b) not having done it before, ever. Every single thing that we came out with that was really great, I'd never once done that thing in my life.
Every writer has characters that they become attached to and that they feel very strongly about.
I don't feel that I'm particularly political. I'm interested in politics; I'll express my view if I feel strongly about something, but humanitarian issues, I think, are slightly different.
Brad Pitt has something about him to where he's played different characters in all his movies, and every single time after he's done, I want to be him.
When you feel so strongly about something and other people feel equally strongly, you have to feel stronger about it in order to succeed.
The most challenging project I've ever done, I think, is every single thing I've ever tried to do. It's never easy.
I am not a feminist, but I do believe in the strength of women... This social revolution of feminism in the '70s really achieved so many of its goals-not every single one of them, obviously-but I think we should say it's great that these young women don't feel like they need to be feminists.
I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.
Everybody knows that Black Sabbath started everything and almost every single thing that people are playing today has already been done by Black Sabbath. They wrote every single good riff... ever.
When you watch a tea ceremony, every single movement, every single gesture is very calculated. It's very precise, and it's all protocol. It's all a part of the system. And it's almost like they've sacrificed every single thing to make that perfect. It's like their craft.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
What theatre people love about theatre - and I totally understand it, I just don't share it - is that they feel they mint something afresh every night. Because I would rather do something until I've done it and then know it's done. New day, next thing!
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