A Quote by Callie Khouri

Political stories in general are tough. They just don't appeal to as wide an audience. — © Callie Khouri
Political stories in general are tough. They just don't appeal to as wide an audience.
I want to tell beautiful stories. I know I want to tell stories that appeal to a large audience. I want to make movies that appeal to mass culture.
Broadway's never my end goal because of the plays I write. These are tough plays. Of course there's a lot of humor, but my goal is just to reach as wide an audience as possible, however that happens.
But the general audience, if you want to grow your audience you need to tell stories, you need to have characters, and that's how you bring them in. That's my favorite part of the business.
Interesting stories appeal to me, much like it appeals to the audience. Or else I might as well become a banker and make more money.
I'm interested in putting something on stage that will have a very wide appeal without being condescending; that will reach an audience and make it part of the dance; that will get everybody in the theater.
The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say 'sophisticated.'
The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say sophisticated.
Unsuccessful headlines were not written without a strong appeal, but it was the wrong appeal for that product and that audience.
The audience just doesn't care. They are just as interested in women-centric stories as they are in stories about men.
If you start writing to an audience you're talking down to them. I've never written for any age group, I just write character. If you can capture that you'll get the audiences, and it will be a wide range, as it is for 'Twilight,' it's a pretty wide range.
James Lovelock is one of the great thinkers of our time. His ideas and inventions have opened up new insights into our planet and the way it works, and the story behind them will appeal to a very wide audience. I am pleased to recommend this book.
No amount of extra civil servants recruited to deliver Brexit will make up for a lack of rational debate or for political judgments distorted by a desire to sound tough in order to appeal to narrow sectional interests.
Usually it seems like either you sacrifice something and a lot of people will pay attention, or you stay true to yourself and appeal to a smaller group of people, but now we've managed to do what we felt was the right thing to do in our heart and had it reach a wide audience. It feels very rare.
The most stressful and difficult part of steering a large movie is that you are taking on the responsibility of communicating with a very wide audience. You can't ever hide behind the notion of, 'Okay, they just don't get it,' or, 'Certain people just don't get it.' You have to be mindful of the size of your audience, and you have to communicate in a way that lets them in.
Great stories agree with our worldview. The best stories don't teach people anything new. Instead the best stories agree with what the audience already believes and makes the members of the audience feel smart and secure when reminded how right they were in the thirst place.
This #MeToo world, it's not new. None of us believe it's new. It's exciting that we find ourselves with a hashtag and a movement, but in general, none of these stories are new; it's just there's an audience now, and everybody's interested in trying to be responsible about this.
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