A Quote by Callie Khouri

I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.
I have never thought of Angelina Jolie except the last time I saw one of her movies. I think that was years ago. It is so far away from the place I'm in right now to think of think of any celebrity.
I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
It’s sad that women characters have lost so much ground in popular movies. Didn’t Thelma and Louise prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
It's sad that women characters have lost so much ground in popular movies. Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
You know, we humans are programmed to think that big changes on the Earth happened a long time ago, or will happen a long time in the future. What we don't realize is that they actually can happen right now. Right here, right now, while we're alive, in our own hours and days and months and years.
I think you can make a gorgeous movie on any piece of equipment. Look at 'Tangerine,' which is a beautiful movie shot on an iPhone. You see so many movies that are impeccably shot but are vapid, and there's no audience for that except for other cinematographers who just like to watch two-hour-long music videos.
I think I'm the best president I've ever been right now. And I think the team that is operating right now functions as well as any team that I've had. And so, you know, there is a part of you that thinks, "Man, we're pretty good at this stuff right now." And you hate to see that talent disperse.
I run into viewers all the time who have no idea I've moved to N.Y.C. I think, for many of them, a studio is a studio is a studio.
The only pressure is the pressure I put on myself, that's up to be I guess to mitigate that. I think there's always pressure that you make the right choice for the next film. You don't know what the outcome is gonna be, there's always potential to find length to your career as well. Now I'm so far from any other job skills that if I don't make movies.
Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.
There are so many options in animation right now and this is such a great time to make animated movies that I want to make another one.
I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.
That's one of the things I haven't had time for in my personal life, is art, and I probably should make more time for it. I also don't have space where I'm living right now to set up a studio, but I'm sure at some point, I will.
I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.
I used to carry a notebook to the studio. I don't do that no more 'cause I don't have the time to write anywhere but right there in the studio on the spot. So when you hear my stuff, know that I wrote it in the studio.
As a practical matter, it is hard to think of any society in human history in which a majority population has said that as a consequence of historic wrongs, we are now going to take a big chunk of the nation's resources over a long period of time to make that right.
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