A Quote by Callum Smith

A lot of people say I've got an old head on young shoulders and I think that's because I'd been around boxing for a long time before I actually started doing it. — © Callum Smith
A lot of people say I've got an old head on young shoulders and I think that's because I'd been around boxing for a long time before I actually started doing it.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
When I was young, I was interested more in (singing the songs). ... I can't say I'm enjoying it more now than I did before, because I loved it when I first sang in Wales, in a pub or a club. I loved it then, getting up and singing. Or as a kid in school, I've always loved to sing. But I think when you've been around a long time, it's even more satisfying to think that people are listening to me now, and I've been in the business for a long time.
Sean Davis is one of the best youngsters I've been around. He's got an old head on his shoulders and he's a very good player.
I've been doing music for a pretty long time, since I was a kid, and I must have been around 10 years old when I started playing shows with my siblings.
When you are young, you think that the old lament the deterioration of life because this makes it easier for them to die without regret. When you are old, you become impatient with the way in which the young applaud the most insignificant improvements … while remaining heedless of the world’s barbarism. I don’t say things have got worse; I merely say the young wouldn’t notice if they had. The old times were good because then we were young, and ignorant of how ignorant the young can be.
I think Roy Jones is a great fighter, a great puncher. But you know, he doesn't use the jab. But he's got everything else going for him. The problem that hurts Roy Jones in the boxing business, in the celebrity business, is his attitude. Attitude hurts, because you say a lot of things that you probably don't really mean and you say them because you don't want to be put down. But you've got a lot of people who don't like what you say, and that hurts. And that's what Roy Jones has been hurt by. That's what I have been hurt by.
I retired when I was 30, with all my marbles and a few bucks. But a lot of guys leave boxing penniless with no skills. Men in their 30s and early 40s, old for boxing, young in life, but also old in the job market if you're just getting started with no education. These guys need someone in their corner.
Music had been going on a long time before that. You have to remember that before rock n' roll there were a bunch of jazz musicians all doing heroin. That sh*t has been around a long time.
It is extremely difficult to say how long the process actually took to finally achieve my fragrance, Boudoir, because there was a lot of time waiting around for other people.
Both [Nikola] Tesla and [Leon] Theremin were preternaturally young. I mean, for a long time Tesla was a young man well into his 70s. And so was Theremin, even though, at the end, he looked pretty old. But he was still doing things that young guys do, beyond the time you'd normally think people should be doing that stuff.
Mac Dre has been around a long time. E-40's been around a long time. JT the Bigga Figga, Rappin 4-Tay. There's been a lot of guys that been around a long time, but they all grew up listening to Too $hort.
I have this theory that people are actually really hungry for sonic space and understanding words, and I think that people are ready to look back and actually appreciate some of what came before. And then you really do have the entire movement that I'm just going to call feminist, because I am a feminist. I think the education of young girls and women about what came before has started and I think that the knowledge of Fanny is part of that.
When I first started acting, I was actually working with the National Youth Theatre in London doing anti-knife crime workshops, so I was listening to a lot of music that was around us all the time, around the guys I was working with, and the kids - lots of young grime artists from London.
And if you look around, if you listen to some music nowdays, I'm not so optimistic...I have the feeling that some of the young people I've met they think already, before they start playing, they think already about the product: how can we sell it....maybe my view is really very old fashioned nowadays, but I think art at any times needs time for development and this fast food bullshit is not working... younger guys: take your time, music is really a thing of long terms, actually it's a lifelong thing to learn and to develop your own stuff.
I remember at the time - right before we started Feministing.com - doing a Google search for the term "young feminism" and the term "young feminist," and the first thing that came up was a page from the National Organization for Women that was about 10 or 15 years old. And it just struck me as so odd that there was all of this young feminist activism going on, but that it wasn't necessarily being represented online, that the first things in a Google search to come up were really, really old. I think to a certain degree we really filled a gap, and that's why we got such a large readership.
I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.
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