A Quote by Calvin Trillin
I suppose that there are endeavors in which self-confidence is even more important than it is in writing -- tightrope walking comes immediately to mind -- but it's difficult for me to think of anybody producing much writing if his confidence is completely shot.
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If I look back at the songs I was writing when I was effectively a child, there's a big contrast, so I've learnt a lot along the way. I think it's a confidence thing; the biggest thing that's affected me, both in writing and performing, is a growth in confidence.
Confidence is not lodged in people's brains, it comes from the support system that surrounds them. Let's not confuse confidence overall with just self-confidence. Self-confidence is only one part of confidence. People also need confidence in others - their colleagues and leaders - that they can count on them to do the right thing and not to let them down.
Self-confidence is confidence in the Atma; it is an unwavering love for the Divinity within you. That is very important. What will help you to develop that confidence? Be equalminded, be satisfied with what you have. Be happy.
Self-esteem is reliance on one's power to think. It cannot be replaced by one's power to deceive. The self-confidence of a scientist and the self-confidence of a con man are not interchangeable states, and do not come from the same psychological universe. The success of a man who deals with reality augments his self-confidence. The success of a con man augments his panic.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
Without writing, the literate mind would not and could not think as it does, not only when engaged in writing but normally even when it is composing its thoughts in oral form. More than any other single invention writing has transformed human consciousness.
I'm not writing about things other women do. I'm writing for other women to have more self-confidence because I need it myself! And if more women were in power, I would feel more comfortable.
It is in this matter that I fall foul of so many American writers on writing; they seem to think that writing is a confidence game by means of which the author cajoles a restless, dull-witted, shallow audience into hearing his point of view. Such an attitude is base, and can only beget base prose.
Whether it's writing a monologue or writing standup or writing a screenplay or writing a play, I think staying involved in the creation of your own work empowers you in a way, even if you don't ever do it. It gives you a sense of ownership and a sense of purpose, which I think as an actor is really important.
Writing is a good example of self-abandonment. I never completely forget myself except when I am writing and I am never more completely myself than when I am writing.
None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
Once I realized, when I became a plus-size model, that there were more women like me, my confidence immediately shot through the roof.
One of the biggest gifts you can give a child is confidence, because confidence will take you miles - more than talent, more than anything else. So yes, I want my children to have confidence and to be kind.
Confidence is the most important thing in this sport, and the confidence from winning Wimbledon would make it easier to win the Olympics, too. Either would be very difficult, both even more-but the player who wins Wimbledon will be the favorite for the Olympics. It can happen.
I started out writing and producing as a way for me to get the confidence to put out my own record and to learn and to really be a student of the industry.
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