A Quote by Cam'ron

Me and 50 had a conversation. We good. — © Cam'ron
Me and 50 had a conversation. We good.

Quote Topics

I was actually shooting 'Warm Bodies' on the day that '50/50' came out, which I don't recommend to other filmmakers because I was sort of a wreck. Actually, it was good for me, because I had work to do, so I couldn't obsess all day and be checking how '50/50' was doing!
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
I had personal problems. I was spending 50% of my life on my family, 50% on boxing. Neither was getting anywhere. It was killing me. So I had to break away from fighting.
It's hard these days to have a conversation, at least it is for me, about [Truman]Capote without "Good Night, and Good Luck" coming up in the same conversation.
I remember my father, when I was a kid, retiring me on 50. He never used to let me bat past 50. He'd say I had to retire to give the other kids an opportunity.
If I had to predict, the way things are going, I'd say the chances are about 50-50 that humanity will be extinct or nearly extinct within 50 years. Weapons of mass destruction, disease, I mean this global warming is scaring the living daylights out of me.
I had more energy at 50. On the other hand, at 75, I've probably got a little more wisdom and good judgment than I had at 50 because I've got more experience. But I haven't really changed. I'm still driven by the same philosophy.
There's a deeper conversation to be had on guns, and just because I happen to know where I fall into that conversation doesn't mean that I don't want to have that conversation.
I had a major motorcycle accident on CHIPs that gave me a 50-50 chance to live. I broke a lot of bones and fractured ribs and broken wrists.
I've had people ask me if it would have been easier to take care of your parents if you had siblings, and I think it's 50/50. I know people who have siblings, and there is a lot of acrimony because somebody always feels that they are doing more than the other person.
The idea of 'Freedom's Goblin,' to me, leads to a wild conversation. I would hope that father and son, driving home from the record store, could have a conversation about what that title means. Because to me, it's the duality of being free: the evil and the good, and how it's a constant paradox.
The American appetite for loneliness impressed me, and there was something about this solitude that freed conversation. One night at a bar, I met a man, and within five minutes he explained that he had just been released from prison. Another drinker told me that his wife had passed away, and he had recently suffered a heart attack, and now he hoped that he would die within the year. I learned that there's no reliable small talk in America; at any moment a conversation can become personal.
For the red carpet, I'm totally a stiletto girl. But in the rest of my life, I'd say I'm 50/50. I love a good heel, but I also have a really great sneaker collection. That's the Bronx girl in me.
I had a studio session with Nipsey Hussle. We didn't record, but we just vibed and we talked. It was just good conversation. We played music for each other that we had previously worked on. It was a good vibe.
50 Words of Snow just didn't seem to have the complications that quite a lot of albums have. It felt to me like it had this very good flow of energy.
Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.
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