A Quote by Cam'ron

I work with any producer that brings me a hot beat, but you don't always know if it's a sample. — © Cam'ron
I work with any producer that brings me a hot beat, but you don't always know if it's a sample.
A hot producer might not make a hot beat for me. I just love music.
You should find the dopest producer in your area, and that producer is always going to want songs written to his beat.
When you're a producer on top of that, just havin' a beat that's hot is not enough. Now you know your sound, 'cause you've been workin' on your sound for so long, and now you're extra picky. You might do a beat that's ill, that the average rapper would pay big money to get on, but you don't wanna do it because you're like, "Ehhh... it's not what I'm looking for, it's not what I'm goin' for." So you're extra picky.
I never had any plans to become a producer when I was a kid. I wanted to be a DJ, like most other kids at the time. Then my mum bought me a Casio keyboard and I started to sample sounds that I liked.
Everyone wants to work with the big new producer or the hot new singer. The key is to find them before they're hot.
I want to direct more often. The job of a producer brings its own benefit as you start to see the simplicity of film making. But yes there is a constant battle between the director and producer in me.
One of my favourite Donald Byrd tracks is 'Think Twice,' and I didn't want to sample it. I've always enjoyed when other people have sampled it, so I wanted to instead of making a beat with it or something like that, or freak the beat of whatever. I wanted to just recreate it in my own way, like how I heard it.
Give me one coach in any sport that's not always on the hot seat. You're just as good as your last game... You're always on a hot seat.
When the tabloids photograph me when I'm out, I always say: "You know what, folks? I'm not married and I'm not gay. You caught me with a hot chick. You got me. Take me to hot-chick jail. Did it again. Guilty."
You can count on the fingers of one hand the times a B sample has not confirmed the result of the A sample. It's almost always a delaying tactic.
If you gonna challenge my ways, know my history. Don't put nobody in my face that don't know about me, or they here to write an article on someone they thought was hot when they was hot. Come on, man. I been hot.
It hasn't really made it easier getting film work. It's not like I can call up a studio or a producer and say - insert haughty voice here - 'It's Parker. I guess you might know me as the indie queen. I'm wondering if you have any projects for me to be in.'
Oh yes, the Klitschkos. They got to learn how to fight. Period. But I'll tell you one thing - they're great human specimens. And I'd be happy to be able to work with them. If they chose to work with me. They had an opportunity when they got free of Peter Kohl - they didn't come to me. You know, I'm with who's with me. And I really don't care what fighter it is. I would be happy to promote them..Who could beat Vitali? Rahman could beat Vitali. His style is suited to beat Vitali.
I never lost any of my titles. I moved up in weight a few times. At the end of my career, the guys that beat me didn't beat the Jeff Fenech that I know.
They [teachers] beat it right out of me. Or they beat it into me and educated it out of me. I don't know; that's an interesting question. The Catholic schools required work, so I think that may have been where the work ethic came from, in answer to the question of how my character may have been shaped.
My work is incredibly important to me personally. It brings me joy and it brings me life and it brings me meaning. It doesn't necessarily have to be important to the people who read it.
This site uses cookies to ensure you get the best experience. More info...
Got it!