A Quote by Cam'ron
The movies that I've done in the past, everybody's been like, 'Cam always gets away in a movie playing Cam.' So, like, I'm trying to step outside the box a little bit just to show my range in acting.
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I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me.
And this must be Avery?" "Oh, God, no," Cam said. "This is Candy, Mom." His mother's eyes widened and a bit of color infused her cheeks. "Uh, I'm..." "I'm Avery," I said, shooting Cam a look. "You had it right." She spun around, smacking Cam across the arm. Hard, too. "Cameron! Oh my God. I thought..." She smacked him again and he laughed. "You're terrible.
Yo! Cam!” Beer Guy jumped off the porch and jogged down the sidewalk, passing me a quick look. “What you up to, man?” Saved by the frat boy. Cam’s gaze didn’t veer from me, but his grin started to slip. “Nothing, Kevin, just trying to have a conversation.
Cam is incredible. Playing against guys like him and a great center like Ryan Kalil - I noticed him right away - is something that can only make me better.
With 'Duplicity', I was a little bit like, 'This isn't that hard of a movie.' This isn't like some huge brain trust of a movie. You gotta be a little bit awake to follow the plot, but it's really just a kind of light entertainment. It's like those Cary Grant movies, which are not meant to be anything other than diverting. In a nice way.
I'm always looking for vacation. I'm always trying to step away from it to watch movies. I'm always trying to carve out free time for myself. But, I love it. I don't think I've ever not wanted to run a show. When I have a show, I'm always really excited. I always enjoy the process.
A basketball was in my hands 24/7, playing one-on-one against everybody and anybody, trying to prove against the older guys, just playing. The wind blowing outside, double rims, stuff like that, just always playing ball.
I love a good comedy, but the slapstick sitcom belly-laugh sort of comedy - the multicam thing - is not really where my interests lie. I'm very interested in single-cam, in intimate portraits. I like it when comedies have a little bit of realism and a little bit of darkness to them. It makes them more palatable and more relatable and grounded.
I was playing with the audience between takes. And the SNL' crew was like, OK, we see you.' I'm like, Dude, they're right there.' If you were playing a rock show, you don't just go quiet and tune your guitar between songs. You have a little bit of chat, a little bit of banter.
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
To me, a multi-cam is just like the feeling you get from the audience.
You can't teach anyone. You can't tell anyone. That's the thing you have to sit down and experience in order for it to mean anything. You can't intellectualize it. It's like why movies are cool. It's a combination of pictures and design and acting and music can create an experience that is outside of the experience that you can actually have in reality, which gets to my motion picture philosophy. People are like, 'aren't you trying to make the movies as real as you can?'
I love multi-cam. I grew up in a border town in South Texas right next to Mexico, a million miles away from this world... and to me, multi-cams are just like theater.
I take selfies just so I know what I look like before I go on cam.
I'm not trying to reinvent the wheel with 'Venom.' I'm not trying to go too far to the left or too far to the right. Sometimes I step outside the box and it might lose people a little bit, so this time I'm going straight up the middle. I'm coming with some hard stuff.
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