A Quote by Cam'ron

When I do a song, it is more or less for the radio because I've got to do it - that's what I have got to do to win - I always go home and write two street songs. — © Cam'ron
When I do a song, it is more or less for the radio because I've got to do it - that's what I have got to do to win - I always go home and write two street songs.
When you a young kid at that age at that time, and you know that you got talent as far as hip hop, you wanna be on the radio, that's the first thing. So we was more or less infatuated with just havin' a song on the radio, you know? Before our careers even launched it was more or less about lettin' everybody know, 'Staten Island? You got good emcees there.'
A song like 'Heartbreaker,' it's a song about learning - it's not necessarily a song about heartbreak. It's more than that. We write those songs to relive how we got over something.
I have a very eclectic iPod. So I've got my cardio people - so it's anything from Beyonce to some Jay-Z to Janelle Monae, her song 'Tightrope,' that's a good cardio song. And then I've got Sting. I've got Mary J. Blige. I've got The Beatles. I've got Michael Jackson. I try to pick the songs that I personally love.
They keep the song as street as it needs to be. It's got a good catchy hook where it can do what it needs to do on the radio, but they keep the song street where it will keep credibility in the hood.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
Well, you know, when you're putting together a show, you've got to be careful not to load it up with the new stuff. We have to play the songs that people want to hear, too. People may come thinking, "Oh, I've just got to hear this song." Or maybe they'll write me a letter saying a certain song is really meaningful to them, so we'll be sure to play those songs.
I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.
You've got the Wall Street situation, the sub-prime situation. You've got a black president. We've got wars. We've got unemployment. But the music doesn't reflect that. And I challenge anybody to show me a music that's on the radio that reflects that.
I don't think my music has changed to reflect getting married or having kids. But... if you want to continue to write your own songs, you've got to find deeper stuff to write about. You've got to go to different places.
I've got four houses in my street. I live in two, and the others are empty. I'll buy more as they come up, because I think it would be great to have the entire street.
I could always write songs, act, get into politics, or stay home with the kids. But I've got to have some fun.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
You got to have two things to win. You got to have brains and you got to have balls. Now you've got too much of one and not enough of the other.
I think the old school, back in the day, 10 to 15 years ago in music, is like you launch one single and you just let that ride out. Right now, you've got folks like Chris Brown, he just won't let up, he's got mixtape after mixtape, they're playing songs on the radio from the mixtape and then he's got songs on the album and videos and he's got remixes he's jumping on.
I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.
When it comes to writing songs, I've always got to be commissioned to do it. I won't write unless someone has got a real genuine purpose for it.
This site uses cookies to ensure you get the best experience. More info...
Got it!