A Quote by Cameron Boyce

I've grown up on set, so I understand a lot of things that a new actor wouldn't, whether it's etiquette or how things work on a technical level. — © Cameron Boyce
I've grown up on set, so I understand a lot of things that a new actor wouldn't, whether it's etiquette or how things work on a technical level.
Computers allow us to squeeze the most out of everything, whether it's Google looking up things, so I guess that tends to make us a little lazy about reading books and doing things the hard way to understand how those things work.
As an actor, you always want to try new things, so the fact that they set it up so that you can be doing different things each season is great.
Our sport is ruled whether it's for good and bad, or whatever, for technical things. There's lots of teams out there that could and should have done better if they'd have had technical things. I suppose in the end that basically revolves around how much money they're gonna get.
When you work with an actor and then you discover new things that are better, I think you gotta be free to be able to go with the new things that you're finding. I think that's very important. I have a strong idea when I go to shoot a movie but I also love to discover things when I'm on set as well.
Miles: Well, things are kind of complicated right now. When you’re a grown-up, you’ll understand. Jonah: I don’t want to be a grown-up. Miles: Why not? Jonah: Because grown-ups always say that things are complicated.
The way the business things work in Russia is you have to meet people, you have to go through a certain amount of etiquette and business things are done just simply by a shake of the hand and whether they like you or not.
There are etiquette things that actors, new actors, need to know about. Because it only takes one mess-up on a set to get fired. Not being where you're supposed to be or saying something to the wrong person that you're not supposed to say, and those are like basic things that the actors need to know.
Peace and freedom! These things shall be! How soon these things shall be - whether now or whether after great destruction and new beginnings and eons of time - is up to us!
I think dancing is contributed hugely to how I am as an actor, just a level of comfort in my body and in movement. Things can become strangely physically technical when you're acting, and often something that just feels so unnatural is actually what you need to do in a certain scene.
It is wonderful to work in an environment with a lot of smart people. It challenges you to think and work on a different level. If you play with better players, you learn a lot: perspectives, intellectual arguments, new ways of thinking about things.
And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that.
Little things do matter. Sometimes, little things matter the most. Everybody pays a lot of attention to big things, but nobody seems to understand that big things are almost always made up of little things. When you ignore little things, they often turn into big things that have become a lot harder to handle.
There are a lot of things that make up a performance, a lot of technical things. It isn't always just about pulling it up from the darkest recesses of your mind or your heart. It's your experience and your observation.
I don't set out to make movies about famous people, though I guess I have. I think what I set out to do is to try to understand things that we don't understand. Or to find out what is blocking us from understanding things we should understand.
The funny thing as an actor is that you show up on the set, and your key goal really is to make the scenes that you're involved in honest and real. You're not concerned with the technical aspect of things, and then you sit in the movie theater, and you watch it with everyone else, you realize that, 'Man, this is pretty exciting.'
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
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