A Quote by Cameron Britton

I think 'Mindhunter' has allowed me to get a chance to do larger projects. — © Cameron Britton
I think 'Mindhunter' has allowed me to get a chance to do larger projects.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
Some types of environmental restoration projects are well-known; restored wetlands, for instance, or coal mine reclamation projects. Recently though, larger dam removal projects have started, a number of them in Washington state.
I think it's just growth, and development, timing. I've been fortunate to be around for a long time. Allowed me to get better as an actor. Allowed me to play better roles.
Fortunately, I have an amazing partner that allows us to do these different things, who will be directing an episode himself soon, I'm sure. But, it's amazing. I love directing and I think that it allowed me to get closer to the actors and actually work with them on a level that I haven't before, and really get down there with them. I would jump at the chance to do it, anytime I could.
I love writing essays and articles, so it's hard for me to resist taking assignments that inevitably pull me away from larger projects.
I hope I get the chance to keep acting in great projects.
Talking about myself, I get only two to three projects a year but let me tell you they are substantial projects.
My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.
I have a broad view that we have to try and get to "yes" on projects. On economic projects anybody can say no. My child can say no. But I think the hard thing to do is to figure out how you get to "yes" and you protect the environment.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
Getting organized in the normal routines of life and finishing little projects you've started is an important first step toward realizing larger goals. If you can't get a handle on the small things, how will you ever get it together to focus on the big things?
What other people think of me is not my business. What I do is what I do. How people see me doesn't change what I decide to do. I don't choose projects so people don't see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system.
Except for the projects in Israel, my being Israeli has contributed negatively to my global activity. It is hard for me, for example, to get projects in the Persian Gulf emirates.
A lot of the projects I've allowed myself to get involved with over the past few years have made me a bit unfocused. It's just so ridiculously easy to do things here; if you're part of the scene, in five minutes you can wind up with two gigs within three days of each other. There's too much going on here and that's a bad thing, to me. Unless you want to jam, and then it's good.
When Tigana took me on at Monaco he didn't know much about me but he gave me a chance, and then he was very patient and allowed me to develop. Under him, I became braver.
I remember when I first came to Los Angeles being staggered by the range of roles open to me. These were leading parts in shiny new projects, and what always excited me was knowing there was a possibility that I could actually get these parts. I always had the impression that I had a chance.
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