A Quote by Cameron Dallas
I am really precise about who I want to work with and, no matter the timeline, I push to get what I think would be cool.
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I think you're always policing yourself by trying to do what you think would be "cool" and accepted by other people, until you start to figure out who you really want to be. Growing up is an ongoing push-and-pull of you being yourself and you performing to what society expects you to be.
The only thing that really goes through my head when I'm picking out an outfit is, do I feel cool and cute. I try as much as I can to push out any worry about what anyone else is gonna think and just kinda focus on, do I think this is cool.
I like playing... I don't know. I think that's what was really exciting about playing Knives, too, from the beginning was that you get to kind of do both of that. She's almost like two different people, but that's what's cool about it, because I get to show her growth and that's the thing that's really cool about Knives, you get to really see her grow up from being meek and innocent and naïve at the beginning to this powerful girl who is going for what she really believes in and what she really wants.
There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
I guess my main worry is that people will start hating what I hate about myself. I worry that everyone will think I am really annoying and just want me to shut up. Which would make so much sense because I annoy myself... I guess I want people to know that if they are annoyed with me, I get it, it's totally cool. Please forgive me.
I like to push people till I get the truth out of them. Get them drunk, or whatever. Then discover what they really think. Push them and push them and push them.
I think there's definitely a dance album or at least single in me somewhere. I would want to work with a really cool Ibiza DJ, though.
The interesting thing about my career is for years I was trying to do that thing of getting in shape and looking cool - I would look at myself in camera angles and think how my chin looked the best and all this stuff. And I really couldn't get that much work.
I would really like to do a really cool one-hour show, maybe on, like, HBO or something like that; or something that I've spent a couple of years developing so it would be exactly the character and exactly in with a huge push behind it; or I would maybe want to do a sitcom; something light and funny.
I would really like to do a really cool one-hour show, maybe on like HBO or something like that; or something that Ive spent a couple of years developing so it would be exactly the character and exactly in with a huge push behind it; or I would maybe want to do a sitcom; something light and funny.
Am I doing the movie because I'm really excited about it and want to do it, or am I doing it because it seems like it's a big budget or something like that? It would still have to be the right thing, because my lifestyle's really cheap and I'm able to exist doing smaller movies, so if I'm able to do that, I'm happy to do that. But if something bigger came along that seems really cool, then that would be great.
The world that I am coming from, hip-hop, is so regurgitated and repetitive that some people are used to that and they don't want change, they don't like change. And I get that, that's cool. Luckily for me, I'm confident in myself as an artist where I can do what I want, and as long as I'm cool with it, I'm cool with it.
I think no matter whether you're old or young or dying or living, to get to a place where you feel fulfilled and content is really rare and really cool.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
I am from a really small town where theater wasn't super-cool, I would say. Maybe undervalued? So, I would drive into St. Louis, where it was cool. I would go to these all-boy schools where they needed girls in their shows, and I would do my shows there.
I would never, ever change the formula of what we would do, but what I want to do is go down somewhere really conceptual. Really artistic. Really theme-oriented. But I don't want to push anything.
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