A Quote by Cameron Diaz

I make films for myself, first and foremost, just because it is such a personal experience, and it's something I really have to want to do and feel connected to. — © Cameron Diaz
I make films for myself, first and foremost, just because it is such a personal experience, and it's something I really have to want to do and feel connected to.
I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward.
When art is really great, it's really powerful, can really do something to you, make you feel more alive and make you feel more connected to something. If you don't feel like that when you do it, and you just make a movie to make money, that would be pretty boring to me. I just wouldn't do it. That would be like sitting in an office, which I don't want to do.
Things that feel super personal actually feel really universal. It's sort of the more you really identify something specific within yourself, the more people connect to it because ultimately we are all connected in some way.
I'm attracted to things that are in direct opposition to something that I've just done. It's not like I'm trying to make the right chess move. It's more just that personal thing where you get connected to something for so long and then you want to do something that's in opposition to that.
I think, as a musician, or even as a citizen of the world, I just want to be a part of something or feel connected to something bigger than myself.
I think of myself as a human being first and foremost, and secondly as a person whose profession is acting. If people want to make that into something more or less, that's up to them.
Films are a very personal experience - just like a martini - so I try to think about what I like, what projects I like to be in, and make sure I feel proud about it because, at the end, I'm the only one that's going to look back and feel proud or not about what I was doing.
If my songs are being listened to between any other songs, that is awesome, and I'm glad people are getting something out of them. We go to countries like Germany, where I can't imagine that all of my fans are engaging with the lyrics first and foremost. I think they're catching a vibe, a feeling. I consider myself a lyricist first and foremost, but if you get something else out of what I do, that's fine too. I'm not sitting back and telling people how they have to take my stuff. We just want to play music, and hope that people like it.
I always make a point to make my records different. Let's say I have a record that's influenced by hip-hop in an abstract way; for the next record, I'd try not to do that. They are all connected in a personal way but it's important not to repeat myself, because then I can always learn something about myself through my work.
I think people direct good films when they feel personal to them, not because it's a famous book or something. It has to something move over that and somehow become personal to the director.
I will make myself sick on films, just because you want everything to be right. I can't sleep if something hasn't been done or is out of place.
It's very important for us because we are viewers, first and foremost. We view more than we make. For us, it's important that the viewing experience is fun and thrilling and exciting and fresh and different. Those are our goals when we are writing something. When you watch it in the theatre, which I hope you will, how will you have the best experience possible? That's really important to us, and is the most thrilling.
I've been blessed with enough wealth that I can make a film myself up to a certain budget. So one way I thought I would reinvent myself was just to make these very small, personal films that I've financed myself.
I really enjoy acting, and whether it's TV or films, I feel lucky to be doing it at all. In the end, I'd love to do films, but I'm not going to work just to do work. I only want to do something that I feel right about.
I'm really hoping to find something that I feel as connected with as I did with 'The Florida Project.' I want to feel that passionate about things that I work on. I don't want to just act to act.
I don't put any pressure on myself in terms of what people or fans do or don't want. It really just doesn't occur to me. I honestly just want to make the films I want to see as a fan. The film will survive or fail in my mind by how much I like it. Having said that, everyone wants their films to do well and to be well-received.
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