A Quote by Cameron Diaz
There's something about moonlight on the body and things happening sort of free and open. Outdoors is something I'm totally game and down for.
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Most people in the Middle East at the moment, even if they are totally open-minded about possible peace, nobody does anything. It's an age of indifference in a way. It's like: "OK, terrible things are happening here, terrible things are happening there... forget it. We'll keep on going for our own benefit."
I know a lot of people love applications on their phone, but I'm like, 'Yeah, I understand the nice experience, but there's something about it that doesn't flow well.' Opening an app, closing it, moving to something else. There's something about the open web that's very free flowing.
As I get older, my body isn't bulletproof, and it's starting to break down. And I'm still young, so it's something that I have to maintain, something that I have to work extra, extra hard, just as hard as my golf game, I have to work on my body as well.
I do belive in fate. It's hard to accept that it's maybe not possible to change anything and I don't really like the thought of not having free will. I like thinking myself as an individual human being who can decide what he wants, but I think it's fascinating and interesting to think about if you have free will or not. Maybe your body decides something for you, your body is hungry and you decide to eat something, so is it free will or not? You don't know.
What career? A man's got a body of film of about four movies in about 10 years or something. I do it because I think I can do a good job of something and I'll enjoy it, do it, and sort of vanish. I don't want to be an actor for hire.
What career? A man's got a body of film of about four movies in about 10 years or something. I do it because I think I can do a good job of something and I'll enjoy it, do it, and sort of vanish. I don't want to be an actor for hire
It's something you dream about, working in Scotland, working in Glasgow, walking down the same streets I used to walk down when I was a drama student, daydreaming about being in an American TV show or doing something that was well known. I guess I sort of pinch myself.
I do think that something of the effect I have on people is to put everything on an edge where they're both infatuated with a kind of charmingness happening in the person or in the writing, and also flatly terrified by a revelation or acceptance of revelation that's almost happening, never quite totally happening.
Poetry is something that disturbs the mainstream with minor things and it is something that breaks down active discrimination with passive things, and it can break down something that polishes the filthy things with filthy things.
I'm not a religious person. I don't have any desire. To me it's imitative of a conventional culture. I'm all for it for anybody. I totally have a free and open feeling about how other humans want to live their lives. It's just not something that has any real significance for me.
I was raised as an Orthodox Jew in a major neighborhood specializing in that, in Brooklyn. And somewhere when I was about 14, something changed. And that change probably involved updating every molecule in my body, in that I sort of realized: this is nonsense, there's no God, there's no free will, there is no purpose.
When I really like something, I try to put my all into it. This is something thats different from when I was growing up on the basketball court, running up and down, scoring 30 points or something. This is totally something different.
My problem is: as a singer and a dancer, if I get it in my body one way, it is harder for me to be open to something new - to something else; to something that is really organically connected to the piece and not just to my perception of it.
Trying to make certain things on the Internet totally private unless you subscribe. It's not going to work. If you can figure out how to close something down, somebody can figure out how to open it up. That's art.
I'm dying to do a tiny indie and play something totally naturalistic without any sort of constraints on me. Something where I can shock everyone.
Lena Dunham or Miranda July, those people are sort of thinking about their work in a slightly different way than I do, where their whole body is a seed of what they're creating. I can't imagine watching Miranda's movies with anybody else playing her role, she's so integral. But for me, it feels more like every story is really individual. If I thought of something else, or thought it should be my body representing it, I'd fold my body into it. But most of the time I'm writing to get something out of my body.
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