A Quote by Cameron Esposito
Everybody that you can think of that does comedy, I have met or worked with almost all of them.
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Differences of power are always manifested in asymmetrical access. The President of the United States has access to almost everybody for almost anything he might want of them, and almost nobody has access to him. The super-rich have access to almost everybody; almost nobody has access to them. ... The creation and manipulation of power is constituted of the manipulation and control of access.
Racial, globalist free markets hasn't worked for everybody in America - hasn't worked for at least the white working, or lower middle class in America don't perceive that it has worked very well for them. It hasn't served everybody, and a bit of protectionism - for many American voters - seems like quite an attractive thing.
There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
I hang out with people I have worked with - most of my friends I've met because I've worked with them, to be honest.
People would come and threaten them. And they would respond by putting the book in the window. Behind that, the publishers, many of whom were menaced and receiving anonymous phone calls of the very menacing kind and so, almost everybody - not everybody, but almost everybody held the line.
I think I need a drink.' 'Almost everybody does only they don't know it.
I think everybody should have a great Wonderbra. There's so many ways to enhance them, everybody does it.
Nobody does a lot of plotting. They can't. Everybody wants to do that in life, but I think it's almost impossible. Opportunities present themselves, and you say, "Hey, is this interesting to me?" Is this something you might want to pursue? Maybe you'll get it, maybe you won't. It really does have to do with a "one foot in front of the other" kind of thing, I think.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
Almost all the people who’ve had the most effect on me I seem to have met by chance, yet looking back it seems as though I couldn’t but have met them.
There are some professions that culturally and sociologically take a long time to change, and because of that, there's still sexism in comedy audiences. We shouldn't blame them: I do it too. A woman comes on, and I feel slightly anxious. I'm a woman in comedy, and I do that; I think everyone does.
I think women are different, and I think having them in the room is crucial to a family comedy, ensemble comedy, television comedy, where half the eyeballs on your show are women.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.
When I tell people I work to stop hazing in high schools I am almost always met with shocked expressions. "High school? Really? I thought that was something that only arrogant frat guys do in college." But it's true - as long as I have worked on preventing bullying in high schools, I have worked to prevent hazing.
When I tell people I work to stop hazing in high schools I am almost always met with shocked expressions. 'High school? Really? I thought that was something that only arrogant frat guys do in college.' But it's true - as long as I have worked on preventing bullying in high schools, I have worked to prevent hazing.
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