A Quote by Cameron Mackintosh
I'm proud of the fact that I've taken a lot of big directors, such as Trevor Nunn and Nick Hytner, who were musical virgins, and introduced them to the form.
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When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
One of things I'd love to do one day is a Shakespeare with Trevor Nunn. I've done musicals with him, but never Shakespeare. There's no one better.
2009 was crazy enough! I can't believe I worked with Jeremy Irons, Joan Allen, Marsha Mason, Catherine Zeta-Jones and Angela Lansbury, Jack O'Brien and Trevor Nunn in the same 12 months.
Nick and Nate Diaz. We're different people, we have different personalities. But I have mad respect for them because that is them. That is Nick and Nate being themselves and not putting on a front. Not acting differently when the cameras on than when the cameras off. I got a lot of respect for Nick and Nate for that reason.
To be asked to perform a new 'Talking Head' was beyond any expectation. The matchless brilliance of Alan Bennett's words coupled with the extraordinary wisdom of Nick Hytner's direction made this a thrilling and quite simply unforgettable experience, and I'm enormously grateful.
My demon ate them. (Nick) What happened to the jocks? (Acheron) Riiiight. And I suppose the Big Bad Wolf will be coming in right behind you to finish up? Or is it the Gingerbread Man I need to fear? (Nick)
It's very important for an audience to know where they are and why they are there in a musical. It allows them to relax and follow this form that operates in shorthand. So the economy of the form, in many respects, is why a lot of screenwriting is so sleek. Because the visuals are where the explosions happen.
Now the dressing-room full of RSC hierarchy. Suddenly Trevor Nunn pushes his way through and 'Trevs' me. I've heard a lot about this 'Trevving', but never had it done to me. From what I'd heard, a 'Trev' is an arm round your shoulder and a sideways squeeze. But this 'Trev' is a full frontal hug, so complete and so intimate that the dressing-room instantly clears, as if by suction. I'm left alone in the arms of this famous man wondering whether it's polite to let go.
Ultimately, mentorship plays such a big role in breaking directors that successful male directors tend to reach the helping hand to guys who remind them of themselves. We need more women directors so they can reach out to girls who remind them of themselves.
My childhood friends and I would have been featured in 'The Achievers: The Story of the Big Lebowski Fans,' but I never signed the release form we received from the producers. I am both proud and ashamed of this fact.
I would love to do a big-budget movie musical - I feel like there is one big musical movie a year. And I'm always there at the theater to see them - I love them.
I'm most proud of my kids, for one, and my family and my parents. Outside of that - what am I proud of? I don't know. I don't look back, I just go forward. I'm just proud of the fact that my parents were immigrants and we had nearly nothing, and all of the sudden, with the help of a lot of people and my parents as a model, I amounted to something. And I'm doing some very decent work.
We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.
You violets that first appear, By your pure purple mantles known, Like the proud virgins of the year, As if the spring were all your own — What are you when the rose is blown?
Regardless of where life has taken me, I'm always excited to come back to Canada. I will forever be a proud Canadian. In fact, a lot of my success comes from the fact that I come from a diverse place, and that translates into my comedy. I will always be Team Canada.
People think, 'Oh, you're doing 'The Wiz' because 'Empire' is such a big hit.' The truth is, staging this musical has been a dream of ours since the '90s, but the rights were tied up. It's just coincidental that, this year, when we were choosing a new musical, the rights were cleared.
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