A Quote by Cameron Mackintosh

What musicals need is a new me. — © Cameron Mackintosh
What musicals need is a new me.
The only musicals I've really worked on in New York are new musicals, and I like the idea that my job as an actor is also that of a detective, archaeologist, and mystery solver.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I grew up going to musicals with my mom here in New York, going to Broadway. I used to be in musicals in high school.
When I first got to New York, all I did was musicals. After a few years I had to make a conscious choice to close the door on musicals, because I was getting pigeon-holed as a musical theater performer.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
The words of musicals were the moral codes that I lived by. I found meaning and messages in musicals that I didn't find in churches or school books and it really made me come alive in a way.
I would like to see more Bollywood films! The more stylized musicals are a new trend in the U.S. We are beginning to make musicals again after a long break, practically since the days of the studio structure, so perhaps we can learn a few things from Bollywood about this fun style of film-making.
The future belongs to those who have the courage to create it. We need a new humanity. We need a new expression of community. We need the Church to bring the world together. This makes me excited.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
We need a new Hank Williams, a new Jimmy Webb. We need new writers, a new Tom Petty. We need people that write what they feel and what they see - things that are relevant.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
I am all about the arts and whenever I go to New York, London or Sydney I check out the latest plays, musicals and concerts. It is an obsession for me!
I'd been brought up on musicals. Instead of cartoons, we watched videocassettes of musicals at home.
When I was growing up, there were so many musicals you could watch. I like the fantasy of musicals and I love music.
I used to audition for musicals when I was in New York before I moved to L.A., but I couldn't quite hit a certain note, so I saw a teacher in L. A. who helped me get better at it. She showed me how to use a different part of my voice. You are never too old.
In the '20s and '30s, there were these musicals either set on college campuses or based on classical stories, so any of the Rodgers and Hart musicals certainly influenced me. I was definitely influenced by any of the 'Porgy' songs; I was influenced by 'American Pie.'
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