A Quote by Camila Morrone

Mickey and the Bear' was the scariest choice I've made in my career because I feel pretty safe in the world of comedy and everything else, but I don't feel safe in deep, dark, scary roles that I took on like 'Mickey and the Bear.'
The attributes we're focused on for Mickey are exactly the ones Walt had in mind in the first place. The original Mickey was impish and irreverent. Walt sanitized him because when Mickey got so popular, there was a fear that his behavior was influencing kids.
I feel my role is to push boundaries. I don't like things to be safe and sedentary. So controversy is the cross I have to bear.
Walt Disney said everything he had ever accomplished was a result of Mickey Mouse. Mickey was Walt's alter ego and he was originally modeled after Charlie Chaplin's Little Tramp character. So without Chaplin, who knows what Mickey would have become!
He couldn't bear to live, but he couldn't bear to die. He couldn't bear the thought of he making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn't bear to keep it, but he couldn't bear to destroy it either.
'Yogi Bear' changed my life in ways that I can't explain because it's not a full feature on me. 'Yogi Bear' - there's everything before 'Yogi Bear,' and there's everything after 'Yogi Bear.' Like a major car accident, or the birth of Christ.
You go through stages in your career that you feel very good about yourself. Then you feel awful, like, 'Why didn't I choose something else?' But overall I'm pretty satisfied that I made the right choice when I decided to be an actor.
I just want young people to read my books and feel cared for, feel safe, feel like there's someone else in the world who understands - or at least acknowledges - your existence.
I grew up watching Mickey Mouse and going to Disney World, like, 2,000 times. Mickey Mouse is like my guru.
I used to give out Mickey Mouse awards to people. I like Mickey Mouse because he represented certain values. He invested in people, was good to his friends and hard on his enemies. Once a year, I would have our management team from each division come to an offsite, and I would talk about Mickey Mouse.
Rose: My mum's here. The Doctor: Oh, that's just what I need! Don't you dare make this place domestic! Mickey Smith: You ruined my life, Doctor. [the Doctor turns and looks at him, irritated] They thought she was dead, I was a murder suspect because of you! The Doctor: [looks at Rose] See what I mean? Domestic! Mickey: I bet you don't even remember my name! The Doctor: Ricky. Mickey: It's Mickey! The Doctor: No, it's Ricky. Mickey: I think I know my own name! The Doctor: You think you know your own name? How stupid are you?
My art's not safe, I don't want it to be safe, it's not meant to be safe, its controversial, it takes you into deep areas, it's a journey, its starts off in safe areas but it gets into deep waters.
The emphasis in 'Notting Hill' was perhaps, I thought, slightly more on the romance than on the comedy. But I think 'Mickey Blue Eyes' is maybe slightly more on the comedy. And the tone on 'Mickey Blue Eyes,' it's a far sillier film.
It can be scary to be everywhere else for a long time. I always feel that I'm safe at home, near my family.
I think it's nice when you come into the room and the director has a plan, a vision of exactly what he or she wants the piece to be. Because when that happens, then you feel safe. You feel safe to make choices and to do something big and just fly because there's a structure around you.
Safe sex, safe music, safe clothing, safe hair spray, safe ozone layer. Too late! Everything that's been achieved in the history of mankind has been achieved by not being safe.
Mickey Mouse should be in the public domain by now. What a better world it would be if other people were doing things with Mickey Mouse!
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