A Quote by Camilla Belle
Because I was able to submerge myself into the character, I didn't have to go back and forth. You don't have to work hard to bring emotions. It all just comes naturally, you're there living it.
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You don't have to work hard to bring emotions. It all just comes naturally, you're there living it.
Everyone laughed, and just like that, the conversation shifted, jumping to another topic. It was fast and furious, the talking, the emotions, the back-and-forth and forth-and-back. I realized that if I tried to focus on it too much, I got overwhelmed. So I just decided to relax into it, bumpy and crazy as it might be, and try for once to just go along for the ride.
Not being active, your name doesn't go out there as much, and you lose the popularity thing. Also, you're not able to make a living. This is what we do to make a living: we go out there and fight. Not being able to fight for a year and a half and not able to bring in money, it definitely sets you back.
Becoming the character you are playing might work for some, but for me, it doesn't. I always maintain a gap between myself and my character because if I will go so deep into it, it will get difficult for me to come back. You should work towards understanding the psyche of your character and then play it.
I'm just trying the American dream. To work here in the U.S., you have to commit and be here. For many years, it was back and forth, back and forth, and it didn't work. But I'm always open to working in Spanish.
If we can believe in the Gnostic gospel of Thomas, old Uncle Jesus said, "If you bring forth what is inside you, what you bring forth will save you. If you don't bring forth what is inside you, what you bring forth can destroy you.
I was a teenager and it was tough years for me. Being able to bring myself into a character and live in somebody else's world was so important for me emotionally. I couldn't express things well in my normal life. I was so overwhelmed by my emotions.
I need to be able to write a poem after every film and to kind of cleanse myself from the character because for about three months or so, I'm constantly living through the character's eyes.
I feel that, you know, the enormous luck I've had in being able to make a living, and to never have had to have written one word that I didn't want to write, to be able to have satisfied that dictum I set for myself, which was not to work for pay, but to be paid for my work - just to be able to satisfy those standards that I set for myself has been an enormous privilege.
I just feel like it's so amazing every few years when I'm not making a film to act and basically go back to film school and just watch other filmmakers work and try to be a part of somebody else's vision. So I feel like you do use two very different parts of your brain, and it's great to be able to jump back and forth.
We work really hard. I work harder now than I've ever worked in my life. I didn't finish high school or go to college, but I'm able to make something of myself with music. We party a lot and don't always behave ourselves like model citizens, but at least we're honest, and we're not just doing things because it will get us attention.
You got to be able to work hard. And that's what I do. I work hard, because that's what's necessary. You have to go that extra mile.
When I have to switch back and forth, it's not hard to go from the American accent to speaking Spanish, but then speaking Spanish and going back into the American accent is hard. I practice it so much. I talk to myself in the mirror all the time. It's like speaking multiple languages.
I personally always have a hard time relating to queer characters in media because I didn't really see myself in them. They were kind of pigeonholed early on as the gay character, and they would naturally end up with the other gay character who would emerge at some point as their love interest.
The thing I was most proud of about today's round was that on this course everybody is going to make mistakes, but sometimes it's hard to forget about it and let it go. After I made a double on 1, I was able to be patient and let it go and came back with birdies on 3 and 5. When I bogeyed 6, I was able to let it go and come back with a birdie on 8. I was able to let go of some bad shots and forget about it and move on.
To sit next to Walter Hill, and to be able to exchange ideas back and forth, and for him to be able to tell you that he likes what you're doing - I don't know. I kind of pinch myself.
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