A Quote by Camille Grammer

Going through divorce while shooting a reality show is terrible. — © Camille Grammer
Going through divorce while shooting a reality show is terrible.
I went through a divorce right as we were starting the show. My divorce became final right after we started shooting the first year, and during that time I was in such a low place.
We [comics] create our own reality on the show. I'm in a cocoon of the character's creation. Even within that reality, he's in a cocoon. While I'm an improviser and enjoy discovery, the show follows a script. I have a pretty good idea what's going to happen. It's a very ­crafted, controlled environment.
Divorce is always terrible, but I haven't met anyone who went through it and isn't happier now.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.
It was tough when people would say, "Aren't you so excited?" about the new show and I couldn't really say, "Yes, well, I'm going through a divorce right now, too."
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.
I fractured my hand while shooting for 'Bullet Raja,' while we were shooting in Nashik.
The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
It's easy to show terrible people's behavior on screen, and we all just kind of nod and go, 'Isn't that terrible.' It's more interesting when you can show terrible behavior in the interest of something good.
Reality TV is hard. You put yourself out there and you have no control over which parts they show (and don't show). And you are shooting sometimes 15 hour-days for months and months. It's exhausting - physically and mentally.
I've never been jealous of any girl in my life, but while shooting for 'Remo,' I was 'really jealous' of Sivakarthikeyan. The day I saw him in his pretty nurse look, I knew that he's going to steal the show.
How many times have we seen reality celebrities fall from grace - often through no fault of their own - and then go on a show like 'Celebrity Big Brother' and say, 'I want to show the public a different side of me.' And I'm screaming at the telly going, 'This is not therapy. This is voyeurism!'
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