A Quote by Camille Paglia

History shows that male homosexuality, which like prostitution flourishes with urbanization and soon becomes predictably ritualized, always tends toward decadence.
Prostitution is not just a service industry, mopping up the overflow of male demand, which always exceeds female supply. Prostitution testifies to the amoral power struggle of sex, which religion has never been able to stop. Prostitutes, pornographers, and their patrons are marauders in the forest of archaic night.
Mixture of assimilation to earlier schemas and adaptation to the actual conditions of the situation is what defines motor intelligence. But and this is where rules come into existence as soon as a balance is established between adaptation and assimilation, the course of conduct adopted becomes crystallized and ritualized. New schemas are even established which the child looks for and retains with care, as though they were obligatory or charged with efficacy.
It is true that the Muslim world is not totally mistaken when it reproaches the West of Christian tradition of moral decadence and the manipulation of human life. ... Islam has also had moments of great splendor and decadence in the course of its history.
The first idea of Young and Beautiful was to have a young boy and to explore the sexuality of boys. But, I realized, with a boy doing prostitution, of course it has to deal with homosexuality. And I had a feeling it was too much for the film, you know, sexuality, prostitution, adolescence ... there were too many films for one film.
The history of prevailing status quos shows decay and decadence infecting the opulent materialism of the Haves. The spiritual life of the Haves is a ritualistic justification of their possessions.
It's always good when women win things in fiction because it tends to be more male-dominated, unlike poetry, which is more equal.
It's always good when women win things in fiction because it tends to be more male-dominated, unlike poetry, which is more equal
...people like to say things like 'all work is prostitution'. Most work is exploitation, but most work is not prostitution. Prostitution is prostitution, a very specific sort of exploitation... And while I am doing literal corrections to flippant turns of phrase, the earth doesn't get raped. It gets mined and poisoned and blown up and depleted, it gets ruined, but it doesn't get raped.
Las Vegas does have its fair share of males in the business. But the male sex trade is often more underground. There are escort services that specify in gay prostitution, although it may not be advertised for the public, but if you are a male calling for a male, or female calling for a female, you will get what you ask for as long as the money is right.
As digital culture becomes more tied to the success of the platforms where it flourishes, there is always a risk of it disappearing forever.
History tends to take the simplest possible view. As soon as you start to scratch the surface of any historical event, it starts to become more and more complicated, which is not the stuff of Hollywood films. Complications tend to break down the budget.
If philosophy is practice, a demand to know the manner in which its history is to be studied is entailed: a theoretical attitude toward it becomes real only in the living appropriation of its contents from the texts.
A still photograph is something which you can always go back to. You can put it on your wall and look at it again and again. Because it is that frozen moment. I think it tends to burn into your psyche. It becomes ingrained in your mind. A powerful picture becomes iconic of a place or a time or a situation.
My thinking tends to be libertarian. That is, I oppose intrusions of the state into the private realm-as in abortion, sodomy, prostitution, pornography, drug use, or suicide, all of which I would strongly defend as matters of free choice in a representative democracy.
Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.
That religious earnestness forever tends toward fright and hence towards brittleness and inquisition is clear enough in mythology and history.
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